When I signed that major-label contract when I was 20 years old. I did it because I wanted to play music for the rest of my life. That's every 20-year-old's dream - to do whatever the hell you want.
I just made the decision that I was going to try comedy, and if didn't work, then I knew it didn't work. Then I would go back and do whatever. But at least I wouldn't torture myself the rest of my life, wondering whatever would have happened.
If you can react the same way to winning and losing, that's a big accomplishment. That quality is important because it stays with you the rest of your life, and there's going to be a life after tennis that's a lot longer than your tennis life.
At this stage of my life, I've dedicated myself to playing what I want to play, how I want to play it for the rest of my time. Regardless of whether one might like it or one might not like it, this is where I am.
Imagine you are walking along, and you trip over something and you turn around and find that it is a huge diamond. You would pick it up and do everything in your power to take care of that diamond because it might take care of you for the rest of you...
The American grips himself, at the very sources of his consciousness, in a grip of care: and then, to so much of the rest of life, is indifferent. Whereas, the European hasn't got so much care in him, so he cares much more for life and living.
I feel like we have to keep our eyes on the road. Being nostalgic is like taking an offramp and getting a sandwich - and then you get back on the highway. I don't want to be spending the rest of my life at the gas station.
On the other hand, I'm very tolerant as well. I expect that everybody can play what they want. I'm only not tolerant when it comes to myself and what is presented on my album that I have to listen to for the rest of my life.
I mean, I can actually say goodbye to the game of golf, never hit another golf shot the rest of my life and I'd be happy because I can get back in life without any rotation.
People say, 'You're still breast-feeding, that's so generous.' Generous, no! It gives me boobs and it takes my thighs away! It's sort of like natural liposuction. I'd carry on breast-feeding for the rest of my life if I could.
I do think it's very important, if you're going to spend the rest of your life with somebody, to know that you really like them. Because when the pheromones wear off, which of course they will, you have to have a strong basis.
There's no question that I've done wrong. I take full responsibility for having done wrong. I will regret for the rest of my life the pain and the harm that I've caused to others. But I did not break the law.
I know people who have written big hit country songs that are really kind of terrible songs, but for the rest of their life, they're the guy who wrote that. You've got to be careful; if you don't want that to happen, don't write those songs.
In the film world, we can all be heroes. In the real world, where heroism can cost you your life or the life of the ones you love, people aren't so willing to make those sacrifices. When they do, they are set apart from the rest of us.
You can be committed to somebody because of ego: 'I said I was going to be with this joker for the rest of my life, so I'm just going to do it.' Or you can be committed because you have a deeply rooted connection.
I wish I hadn't lost it, and for the rest of my life I can never again lose my temper on TV. The BBC could have sacked me and that would have been the end of my career on TV.
My part had three lines. I said, 'You look wonderful, sir,' three times. All my friends said, 'Do not take that role - and do not understudy. You'll regret it the rest of your life.' I did both of those things, and I've never regretted it once.
I'd make a White Stripes record right now. I'd be in the White Stripes for the rest of my life. That band is the most challenging, important, fulfilling thing ever to happen to me. I wish it was still here. It's something I really, really miss.
I draw a weekly comic strip called Life in Hell, which is syndicated in about 250 newspapers. That's what I did before The Simpsons, and what I plan to do for the rest of my life.
When I took off from Providence, my only professional aspiration was what it had always been: I wanted to be a sportscaster. By the time I landed in the desert, I knew I would spend the rest of my life trying to be a writer.
Sometimes you're doing really well, then, after three or four years, everything inexplicably crashes like a house of cards and you have to rebuild it. It's not like you get to a point where you're all right for the rest of your life.
