If Broadway shows charge preview prices while the cast is in dress rehearsal, why should restaurants charge full price when their dining room and kitchen staffs are still practicing?
I never used to want rehearsals, because I was like, 'Oh, no. I'm more spontaneous. I'm a natural. I'm a one-take person.' But that was because I didn't have any training. I was going off instinct.
When I was six, someone in my family gave me a yellow pencil holder that had my name printed on it. I still have it, and when I'm doing table work in rehearsal, I use it to carry my highlighters and other writing utensils. I love it.
Film is a much lonelier process than theatre. You really don't have any rehearsal time in film. You don't shape it together... with theatre, there is a complete kind of family atmosphere. The sociable side of this business is the theatrical side, it ...
I went into show business because I love to work with people, and what I enjoy most about acting is rehearsing and getting to know people and their talents, forming relationships. Working in this business, barriers drop and you get into people real q...
I never imagined I'd go into acting, but I always loved drama, and when I was 16, I discovered the Library Theatre up the road. So I plucked up courage and asked if I could watch rehearsals. It was like Heaven.
Lady Gaga? She's cool! She works really hard. When we would have our dance rehearsals, she wasn't the singer that was like, 'Oh, I'll just stand in front.' She wanted to learn everything - she was doing the dance moves. She's a good dancer.
It was the most pleasurable thing I've ever done, playing this character, and I just remember feeling so at home and so - I don't know, I was just happy - and it just wasn't ever work! It was like a sandbox for me, and I would crack myself up rehears...
The great thing about the stage is that you have a structured month-long rehearsal period where you're going in every day. You have to have lots of run-throughs with theater because there are no second takes in front of a live audience.
Every school should have well-rehearsed emergency response protocols covering a variety of possible scenarios, from fire to armed intruders. Schools should have good lines of communications with local emergency response officials and practice those r...
I have directed good actors and have gone through the process which is more detailed in theater in a way. You have to get people to stay for two or three hours in a performance. They need more talk and rehearsal than in films.
If you're locked to the words on the script, as good as those scripted words are, if you didn't have the time to rehearse them correctly or if the perceived dynamic between the actors is different from what the writer imagined, and you're not allowed...
A play is much easier to maintain your personal life with because if you're rehearsing, you're working like from 11 to 6 or 11 to 5 and you get to have your whole morning and your whole evening. When you're doing the play, you have all day.
People make mistakes and I've probably made a few more than others, but unfortunately mine are also a bit more public. That's the way it is. You've just got to get on with life. After all, it's not a rehearsal.
To pay 60 musicians for rehearsal and performance is quite something, and I decided I wouldn't be able to handle that kind of situation financially again, unless somebody else was taking care of that end of it.
When you're doing a play that's fully produced, you have the benefit of rehearsing for four or five weeks, so you really get to live in the skin of the character for much longer than when you first start doing a character on TV.
'Days of Our Lives' was an insane schedule. You're doing a whole one-hour show in a day. You do a very cursory run-through with the director telling you where you're going to be standing, then you do a quick rehearsal on camera and you shoot it.
We have different personalities, but in a harmonious way, I'd say. Anyway, we were booked to play at the festival as a duo; and we decided we wouldn't have any rehearsal.
When you're working on a film, it's not theater; you don't have a few weeks of rehearsal. A lot of times you are showing up on set, and you've never been to the place; you've never met the other actors you're working with.
In '57, I got a job at the Blue Angel nightclub, and a gentleman named Ken Welch wrote all my material for me. I lived at a place called the Rehearsal Club that was actually the basis for a play called Stage Door.
I knew that I did not want to go to that juvenile diversion program because I had an intuitive sense that it would turn me irrevocably into the kind of character that I was now only rehearsing to be.
