I think with drama, at least for me, my process, there's a lot of thought. I do a lot of back story. I listen to a lot of music. I'm very committed to a process when it comes to drama, but with comedy, I think it's really about letting loose.
So that is the design process or the creative process. Start with a problem, forget the problem, the problem reveals itself or the solution reveals itself and then you reevaulate it. This is what you are doing all the time.
Management is getting people together to figure out how to transform inputs into outputs. In the process of figuring out the process of how people work together, you've got to figure out who's got what responsibilities, and how do they work together.
Sometimes, as I feel a door or an exit point in my work is closing, I'll try to create an opening so as not to stifle the creative process, which I see as a process that's never-ending.
Bureaucracies force us to practice nonsense. And if you rehearse nonsense, you may one day find yourself the victim of it.
Actually, it was only part of myself I wanted to kill: the part that wanted to kill herself, that dragged me into the suicide debate and made every window, kitchen implement, and subway station a rehearsal for tragedy.
I rehearsed Foucault's argument that the presence of madness on our doorstep is good for us, for it reminds us the life we live is only one among several human possibilities.
'One Tree Hill' was my first television experience, so naturally I was nervous initially. There is no rehearsal, you get your script a few days ahead, and you work. I was also the youngest actor, 13, on set at that time, but it was amazing to be able...
We will meet; and there we may rehearse most obscenely and courageously. Shakespeare, Midsummer Night's Dream. Spoken by Bottom, Act I Sc. 2
I find theatre easier than films, because it gives you an environment of a dark hall, the audience concentrating with you... whereas, film sets are not conducive to long rehearsals, and it is difficult to pick up the emotions amidst all that is going...
There is the danger of over preparation, of loss of spontaneity; over rehearsal is the most terrible thing you can imagine. We do have a very close association between costume and set designer, though. And the cameraman is very important, of course.
I did quite a lot of the arranging, fitting different sections together, tempo changes, all sorts of things like that. I actually acted as a bridge between Robert and Ian. Not so much composing, rather presenting musical ideas at each rehearsal.
What was really wonderful about the 'Doubtfire' shoot is that we had this really long rehearsal period in the beginning. That was a great time to get to know each other. We got to know each other and to create the family vibe. So we really didn't hav...
I do think taking the 20s to take the most chances you can is important, because you're not going to hurt anyone else during that time. And if you do have a partner, you need a couple years to rehearse that relationship.
I like to give dimension to shots inside action scenes. It's demanding because you have to rehearse a lot of things happening at the same time and frame all those things in a shot. But I feel like when you accomplish that then you've got a cool actio...
Sometimes you don't want to get married too much to a lot of rehearsing, I feel, when it comes to film, because there's so many technicalities. So if I'm in my head, I've gotten settled on something, I'm gonna have to change it if I get there and som...
When you're in a rehearsal room, it's like getting into a car and going on a long journey with everyone's stuff in the back. If you keep stopping the car and going, 'Are you sure we want to go?' and think, 'This is really daunting,' you will get frig...
Good diet and exercise are key, but abject fear has its own rewards. And arriving on the first day for rehearsals for 'Spamalot' and seeing all these much younger, much fitter people, who I was going to be on stage with, became a catalyst for cutting...
We had to do a lot of rehearsals to get it so that it was playable. What it did was make you practice. That's good for any musician to have that kind of pressure. It brings things out of you that might not come out if you don't have to reach for some...
Actually, the funny thing is, after all these years, I've got all these new songs to learn for the show we're doing at Joe's Pub, so it's kind of fun to get down and rehearse new things, and also rethink some of the older songs, how we're going to do...
I was always cutting dialogue out when we were rehearsing, and when I produced movies, too. I felt that people don't say things in life - they act, they do things. I always wanted my characters doing, rather than saying what they were doing - which w...
