As soon as I could speak, I was singing. Before I could even speak full words, I would make up ones to sing and I have it on tape, too.
I went to Washington to ask for a little residual payment for the people who had written films in the early, early days, people who never got any residuals on tapes or anything at all.
People like Busta Rhymes would say, 'Clinton Sparks doesn't do mix tapes; he does albums. He just throws albums out on the street.'
I used to do little sketches into my cassette tape recorder when I was a little boy. I would just turn it on and just start doing voices and characters. I just loved it.
The first entry into modeling doesn't build your confidence. They pull out the tape measure and pick you apart. I'm a curvy woman, so I was definitely told I was 'too curvy.'
I started performing at two or three on a tape recorder, one of those little flat recorders where you just push play and record.
The Southern Baptist Church is a specific culture in itself. So, I had to study, talk to people, watch tape and go to performances to see how Gospel artists move compared to secular artists.
I have the emergency kit in my purse that has double-sided tape and Tylenol, and a small energy bar. I'm the one that has an extra lip gloss just in case.
I recently read some of the transcripts of Nixon's Watergate tapes, and they spent hours trying to figure out who was leaking and providing information to Carl and myself.
I've always sung. I was really into musical theater when I was growing up. As a kid, I listened to Ella Fitzgerald and Nina Simone, actually, on cassette tapes.
I didn't audition for 'SNL.' I sent in a tape to 'SNL' the year before I started writing there, but I got the job there through doing stand-up on Fallon.
I just sat down and thought, I'm going to write a song today, I'm going to give it a try. So I just stuck it on a tape like everything else. That was just another song.
I'm the only talk show host, I think, if there's such a category in, what's called, the book of records, to have a guest die while we were taping the show, yeah.
In the late '70s, I had a band - the David Johansen band, for lack of a better name - and I started collecting, not records, but tapes from people I knew who had jump-blues records.
Even a very brief tape-delay introduces a form of censorship into the broadcast - not direct governmental control, but it means that a network representative is in effect guessing at what a government might tolerate, which can be even worse.
My come-out record, '10 Day,' was the thing people were supposed to hear and figure out 'he's good' or 'he's not good.' 'Acid Rap' is the comeback tape, and it asks way bigger and better questions than, 'Is he good at rapping?'
I can't get that live and I don't have the time to take the tape, after I've finished recording it, into a little studio somewhere else where I can get a different kind of percussion sound.
If at noon you sit down and there's just silence or blank tape, in an hour if you have a song, that didn't exist an hour ago. Now it exists and it might exist for a long time. There's something empowering about that.
Walt Disney had always tried to get more dimension in his animation and when I saw these tapes, I thought, This is it! This is what Walt was waiting for! But when I looked around, nobody at the studio at the time was even halfway interested in it.
By the time I got to record my first album, I was 26, I didn't need pen or paper - my memory had been trained just to listen to a song, think of the words, and lay them to tape.
[from trailer] David Frost: Why didn't you burn the tapes? Richard Nixon: I didn't want to take any questions on Watergate!