Because I could dance, my folks went through hell so I could be in movies. But I didn't dance in pictures. I cried! At one point I had polio, which I believe was a result of the stress I felt in the studios.
Even though I studied in New York and I know the American system, I come from France where I learned that with movies in France where the director is king. There's no such thing as a studio edit. It's the director's cut, period.
I was at the end of the studio system so when I walked into movies, I had a magnificent suite in which I had a living room and a kitchen and a complete makeup room. I had everything just for me. With the independents, you're kind of roughing it, lite...
I think with the success of, like, every summer there has been a couple R-rated comedies that have done so well; I think it is so nice to see that people are turning out to see these movies, and it doesn't seem to be as big a stigma with the studios ...
Think about trailers you see in theaters. If you're seeing a Warner Bros film, the studio might have three of the five trailers. So having a hit helps you create the next hit.
We'll see if we ever do another Ministry gig again or not. I'm not saying yes or no yet. All I'm saying is I know there's no new Ministry studio CDs coming ever again. I promise.
If you're in a motion-capture studio, you have spherical, reflective markers, which are picked up by cameras that emit infrared - it reflects it, and then the cameras pick up the data.
I've been singing for six years. I've been in and out of the studios with top producers, but it wasn't something I was ready to express to the public or to the press. I wasn't ready to come out. I wanted to perfect my voice and be 100 percent positiv...
When you get to know an artist, you find out the things that have peeved them over the years, and it's generally the stuff that has to do with somebody not wanting to do things their way in the studio.
Records are made to be broken.
Bantam Press. And they commissioned me to write it. And when that was completed, they sold it to Harper and Row. And then I put it out to every movie studio in town. And they all turned it down.
Nine months after we submitted the original screenplay for 'The Attack,' the studio that was involved pulled out. I've been told that 'you don't write in a French way; you can't make these multicultural films.'
Often I think changes within my work have been seen as sudden changes or sharp changes, but for me they're not that sudden. They have been there in the studio, but not so much in public.
You've got to put interesting people around you; you've got to work with people who are gonna inspire you to take the songs you've written into a completely different direction, because there's nothing more boring than going to the studio and predict...
When you're playing in front of people, everything is external. It's all going from you out to an audience. When you're in a studio, it's very internalised, it's going from the air through you into this meticulously crafted, layered piece of work.
When you're on tour, you're trying to get the crowd involved and really sing and perform to them. When you're going to write and be in the studio, it's like, 'Now I have to think about me.' That's the mind-set you have to work with.
To be quite honest, I've been very blessed when I've worked with Hollywood. The studios that have purchased my work to be adapted to film have really liked the work and wanted to stay as close as they could to what the book was.
Robert Downey Jr. doesn't work out like us regular folks. Adulation bathes him from the moment he arrives at his Los Angeles martial arts studio.
I have been very fortunate to be able to work and get the opportunity to play different roles. It's nice to do big studio pictures and then work in Glasgow on films like 'Red Road' and then dress up as a vampire or an alien. I think that's why a lot ...
It was Eric's voice not Simon's, on the recorded message. “Ladies, ladies ” he said. Though it was the millionth time she’d heard the recording, Clary couldn't help rolling her eyes. “If you've reached this message that means our boy Simon is...
There is only one thing a writer can write about: what is in front of his senses at the moment of writing... I am a recording instrument... I do not presume to impose “story” “plot” “continuity”... Insofar as I succeed in Direct recording...
