Hood films now are made by studios and have nothing to do with the reality they supposedly represent.
When I go into the studio, I completely detach. I let my emotions come out.
Getting used to the studio and everything was fun, we freaked about alot. I was working very hard then.
It's hard to know exactly what it sounds like to me. I'm in the studio and I write it. and that's it.
I want to open my own yoga studio. Planning construction and looking at properties is fun.
In America there's no rights for the artist, so whatever films I've made kind of belong to the studio.
We still spend more time chasing funds than we do in the studio in creative work.
There wasn't an episode of 'Will & Grace' that didn't begin with my voice saying, 'Will & Grace' is taped before a live studio audience.
Disney was a family film studio. I was supposed to be their young, leading man. After they found out I was involved with someone, that was the end of Disney.
I think the business affairs people at the studios get some kind of perverse satisfaction in finding the worst hotels for actors to stay in.
The main trouble with Hollywood is that the guys you have to pitch to, the guys who run the studios, are all business school grads.
I make movies for me and posterity. I'm more scared of history than I am of the studio.
The old studios that mass-produced dreams are gone with the wind, just like the old downtown theaters that were the temples of the dreams.
I've been involved with some huge studio projects that have been bloody awesome. It all starts with a great script, doesn't it?
A lot of big studio films, which are fun and great, tend to have a formula, and you've seen it before, and it's a new version of it.
To be able to get up and be in my studio and work all day is a great joy.
When I get into the studio, it's not about trying to get a good song, it's about whatever comes naturally.
The studio are making a lot of good noises about 'Bunker Hill;' so it would be great if that goes ahead. We had a riot filming it.
My father ran a famous L.A. nightclub complete with roller-rink - Flippers - in the early Eighties which was the West Coast's answer to Studio 54.
Carefully execute every instruction given to you by the director, producer, and studio. But that would be a life not worth living.
By the time The Band did The Last Waltz, the chemistry had changed, and it wasn't a thrill anymore to live that studio kind of life.
