Music was massive from an early age. My parents were huge music fans, especially soul, and they played records in our house all the time, and me and my brother and sister would dance and sing about the living room.
What turns me on about the digital age, what excited me personally, is that you have closed the gap between dreaming and doing. You see, it used to be that if you wanted to make a record of a song, you needed a studio and a producer. Now, you need a ...
When I say I don't have to write pop songs anymore, there's no way I'm going to get on the radio at 60 years of age unless I'm doing a duet with Gaga or I was on 'All of the Lights,' which was a Kanye West record that managed to get on the radio.
My little brother and I took piano lessons at a young age and played music together later on in life just to play around at home until we decided to make a record. Eventually we started having more and more songs.
My Dad died during the flu epidemic in 1918 when I was 4 years old. He left a lot of classical recordings behind that I began listening to at an early age, so he must have been a music lover.
I love working with a cast and a group of people every day, which is different than recording because you're usually pretty isolated and alone. They serve as a good balance for each other.
The U.S. Army records alone for World War II weigh 17,000 tons, and even the best historians have not done more than just scratch the surface. The story is such that 500 years from now people will be writing and reading about it.
I wrote and produced millions and millions of selling records, so my publishing company alone was worth millions of dollars. I didn't have to work anymore in life because when the rappers started sampling... I'm the most sampled artist in history.
Actually, we got signed in November of 2000 with Dreamworks which is the most amazing label. We have friends on other labels and though we are not selling millions of records, yet, they treat us with tons of respect and give us some very good guidanc...
I listen to every thing, all kinds of stuff. I've been obsessed with the Nas and Damian Marley record, 'Distant Relatives.' I feel like a lot of people haven't heard it, and it's amazing.
Lauryn Hill's always been a hero of mine. And Bruno Mars, Janelle Monae and Adele, those are the current artists I would reference in terms of who's been able to do really amazing pop records with really cool, organic throwback elements of soul in th...
I've created, directed and choreographed for Lady Gaga since the beginning, so 'Born This Way,' this was musically such an amazing evolution and such a brilliant record. So when she played it for me, it took me a while to find out the visual interpre...
We came from the '60s era, when we started and made so many hits. The song value from the '60s was so darn good, you've got The Beatles, The Beach Boys, all of Motown, and plenty of other people, too... amazing records, amazing songs.
I'm jamming 'Black Sabbath Vol. 4' all the time. Zappa's 'Cruising With Ruben & The Jets.' A lot of Gong lately. Some Hawkwind. The Residents' 'Duck Stab' is amazing. Some Fugs. Lots of stuff, man. I'm pretty schizophrenic with records.
When you win a Grammy... you're thinking about you winning. It is amazing. Your peers and folks in the record business are saying, 'This is what we think of you.' And that's why the Grammy will always be, to me, the ultimate in what you get as far as...
I had wanted a tape recorder since I was tiny. I thought it was a magic thing. I never got one until just before I went to art school.
An album is a whole universe, and the recording studio is a three-dimensional kind of art space that I can fill with sound. Just as the album art and videos are ways of adding more dimensions to the words and music. I like to be involved in all of it...
I will never forget the pleasure and instruction I derived from working with a true master of his art, such as Edward G. Robinson was - and is. Surely his record for versatility, studied characterization - ranging from modern colloquial to the classi...
I'd gone from being this art student messing about with music to this girl with a record deal, magazine front covers and all this hype. In many ways, it was everything I ever wanted, but when it happened all I felt was total, paralysing fear.
I didn't start to collect records and listen to guitar players properly until I went to art school, when I'd already been playing for five years. So my style was already formed, and that's why I think it's so unique.
The record business is dangerous to the health of bands and individuals, which is something I'm just now learning. But it's not dangerous in any of the ways people think; it's not that they try to make you compromise your art. That's not the problem.