Mark Zuckerberg: Your date looks so familiar to me. Sean Parker: She looks familiar to a lot of people. Mark Zuckerberg: What do you mean? Sean Parker: A Stanford MBA named Roy Raymond wants to buy his wife some lingerie but he's too embarrassed to s...
Little Glasses Girl: [camera follows many BFC trucks delivering packages to front doors all over London] I'll get it. BFC courier: [at Finch's door] Eric Finch? Finch: Yeah. Finch: [opens box: One of V's Guy Fawkes masks is inside, along with a spare...
The quicker we get rid of the lobby system the better for all of us. I don't think in this day and age it is tenable to have these nods and winks, and on-the-record and off-the-record briefings.
I've just been fortunate to havehad a lot of hit records, though Human Wheels doesn't qualify as a hit record-but it's really the best single I've ever had.
I think basically lables were more interested in a Richard Page record than a Mr. Mister record.
My approach to recording and all that is pretty organic. It just has to do with all the songs I wrote; go in and record them.
Record companies are not necessarily interested in you realizing your artistic dream. The bottom line is that they got to sell records.
I produced Run DMC. I produced some early records, lots of records early on.
Our managers hadn't had that kind of success - the record company hadn't, we hadn't - and the feeling was that the next record had to be even bigger, and if it wasn't it would be some kind of failure.
I guess that my life has been a series of flukes in the record business. The first thing I ever did was the biggest record that I'll ever have.
I'm not going to say that every record I've put out was the greatest record in history, but I'd stand by even the bad ones. Don't make excuses, make hits.
I recorded a song called, I Fall to Pieces, and I was in a car wreck. Now I'm worried because I have a brand-new record, and it's called Crazy!
There are three things we need to do for a band. We need to make a great record; we need to get the record played; and we need to find an audience for the live shows.
I'm a believer in what your record is. I am what my record is - some of it good, some of it bad, some of it hard to tell.
Our records, if you have a dark sense of humor, were funny, but our records weren't about comedy. They were about protests, fantasy, confrontation and all that.
And for me the only way to live life is to grab the bull by the horns and call up recording studios and set dates to go in recording studios. To try and accomplish something.
I love the idea of a record containing an entire universe; where the sounds span decades of recording from all over the world and all sorts of different sources.
I'm a pretty big P.J. Harvey record fan and you can really hear New York in his record.
Tower Records is like a temple to me. I'll stay there for hours. Nobody can shop for records with me. It drives them out of their minds.
We certainly strive for trying to make a quality record throughout, and I think that's true of all of our records.
I know if I don't tour people will forget the record and you run a high risk of the record failing.
