In this age when people expect to get their music for free, we have to work out how we can protect the rights of creative artists so they are compensated fairly and that the record business itself remains sound and healthy.
Radio is aimed at the 30-year-old market, so you have to have great music and appeal to get that age group. And you need a record company to believe in you. It's like a bit of the perfect storm.
When I got into the Beatles, I must have only been about six or seven but old enough to take notice. We used to have an old radiogram which, for readers of a certain age, was like a big cabinet thing with a record player inside it.
When I'm alone at home, I really prefer to listen to Wagner's orchestral music rather than any vocal music. I find it illuminating not to have to pay attention to voices in the recordings.
This is how many people become artists, musicians, writers, computer programmers, record-holding athletes, scientists... by spending time alone practicing what they love.
The music industry is a strange combination of having real and intangible assets: pop bands are brand names in themselves, and at a given stage in their careers their name alone can practically gaurantee hit records.
I think we need one recognized, respected public figure to make a tough, blunt statement on just what Reagan's record is and what he might do to the country, let alone the Republican Party before Christmas.
United Artists wanted to do records with me. I had no idea, what a rare thing that was... to make an album. And they put a guy with me working on songs, and I got busy with films. I just kind of let it slide. Isn't that amazing?
When I read Frank Miller's 'The Dark Knight Returns', I think it's a wonderful record of the Reagan era. I think it's amazing. This is the time I lived in.
DJ Sliink is amazing, and his production is on the next level. There are a lot of EDM producers that I'd like to work with, not for the sake of having an engineered record, but for the fact that I love their production and music.
I am not a natural singer, but I can sing, and probably the way I sing is more imitative than from myself, which is why I am never going to be an amazing recording artist.
Make big plans; aim high in hope and work, remembering that a noble, logical diagram once recorded will not die, but long after we are gone be a living thing, asserting itself with ever-growing insistence.
The '80s market was only a Japanese market. It was the Japanese outbidding each other for the most expensive works of art. When the Japanese economy went down the tubes, there was no one left to pay the prices that have been recorded for all of those...
Part of the joy of looking at art is getting in sync in some ways with the decision-making process that the artist used and the record that's embedded in the work.
My parents didn't have records, they didn't have radios, and they didn't listen to music. My grandmother was my main connection to art and music. She could play piano very well, and she had perfect pitch.
I went to New York in 1974, to either try to get a record deal, get into the New York Art Student League, or be a dancer. So that was my plan. Some plan. And I had no money.
And then, I was thinking of doing a record just like starting with voice, because I did this one song that was just kind of a cappella, and I did it for this art piece I did where people could come and play music to go with a voice.
Every word Martone sets down, finally, a choice that limits the universe, their trail across the page a fossil record of some life's life-story.
Had records so stellar, they had to lock their resumes in a drawer at night, so the golden light streaming from the pages wouldn't keep them awake.
... people made the imaginary real all the time: taking the music they heard in their head and recording it, seeing a house in their imagination and building it. Fantasy was always only a reality waiting to be switched on.
Just for the record, I have come to fear all of your ideas in advance, simply from having endured enough of them.
