Congressmember Weiner has shown just a pattern of reckless behavior, an inability to tell the truth, and what New Yorkers deserve is a mayor with a record of delivering for them, of vision, and a level of maturity and responsibility.
Scoop: Mr. Ness! Any comment for the record? Ness: I just happened to be there when the wheel went round.
Terence Fletcher: For the record, Metz wasn't out of tune. You were, Erickson, but he didn't know and that's bad enough.
Long made it possible for me to get on records, so what little money he did take from me, if any at all, he was entitled to it. He didn't take something from me.
I was always looking to record, but how much I actually pursued it was another thing. The major labels weren't that interested in me, and the smaller labels didn't have any money to do anything.
We sold a certain, steady amount of product for them and they could count on it. When it came time to ask for the money for this new record, they dropped us. It was fine with us. It was a dead fish.
Wynton told us that Miles sold out, just wanted to make more money, just wanted to sell more records. I don't believe that Miles sold out but I'm not in a position to say.
We were using the record as a tool to invest money into real estate all through the South, because we were living in an era where the South was changing.
On everything I do I'm always taking someone's money, whether it's a movie studio or a record label. Somebody's paying for it, and I'm always respectful of that. But I'm never going to compromise.
We'll set up a demo session and try to knock out eight or ten songs and make them sound as close as we can to a record with the money and time we have.
To photograph truthfully and effectively is to see beneath the surfaces and record the qualities of nature and humanity which live or are latent in all things.
The sacred rights of mankind are not to be rummaged for among old parchments or musty records. They are written, as with a sunbeam, in the whole volume of human nature, by the hand of the divinity itself; and can never be erased.
Creatively, I thought we were still viable and could do more records. But our working relationship just wasn't happening at all, and our chemistry as people broke down because of that.
Generally, when a record label suggests album ideas for you, you smile politely, and then proceed to shoot it down, because it's never what you as an artist feel is right for you.
It's a blast to watch. It's a lot more interesting live than it is on record. I mean, it really is a theatrical event. It's a sporting event! Cause you never know what's gonna happen.
She's been a smack addict, she's had big success in Europe in the '70s, and she's lost everything. She's been rediscovered in the '80s, and as we meet her she's just about to sign a new recording contract.
I never really think so much about commercial success; I usually just think about records that move me, and 'Baby Got Back' was one that moved me.
I don't believe society understands what happens when everything is available, knowable and recorded by everyone all the time.
I'm always most comfortable in the studio. It's my comfort zone. I love being there, and I love making records.
Donna Summer would be remembered as a ground-breaking artist today even if she'd retired the day after she recorded 'I Feel Love' in 1977.
I love making music and I'm falling in love with making records, so it's like having two girlfriends. But I can handle it.
