I think some people record songs and make records a certain way to cater to radio. If you're born to make commercial music that's cool. But if you're born to not make commercial records, maybe you're meant to cater to another market.
My favorite record shop was called Recommended Records, in South London near where I lived - they did all the original Faust reissues that came out in 1979, and they also did a lot of Sun Ra stuff. They were a great record shop.
It's funny - some producers ask me, 'Man, how do you work on a Bieber record? That would kill my career.' I can work on any record there is as long as they are good records and you're pushing things forward.
Remember the Stax label and how if you liked one record, you liked all the others as well? You don't talk to a lot of people who tell you how much they love their record label. I don't care how many records they sell.
After years of begging, I got my parents to get me a little Craig tape recorder, a reel to reel. Then I started recording voices, or recording Jonathan Winters off television and stuff like that.
Some people buy records just to dance to 'em. Some people buy records to listen to the radio. And there's people that buy records 'cause they listen to every song.
I wish records got made faster and looser with less thought in them, but since touring is so much more profitable than records, you spend so much time on the road that it's hard to work on them. And the records get further and further apart.
When I did the record, I was coming off a time when my contract had been sold and the music industry had changed a lot. I didn't understand how to make records for big labels. I was waiting for a new kind of record label to emerge.
George Bush, Dick Cheney, every one of the speakers praised John Kerry's war record. No one said he was unfit. They said he has terrible judgment, and that's his record as a senator. Nobody questioned his military record.
I've found, though, that people are more likely to share their personal experiences if you go first, so that's why I always keep an eleven-point list of what went wrong in my childhood to share with them. Also I usually crack open a bottle of tequila...
Vinny Gambini: [about his secondhand suit, which has an 18th-century look and is red] I bought a suit. You seen it. Now it's covered in mud. This town doesn't have a one hour cleaner so I had to buy a new suit, except the only store you could buy a n...
I saw a stationery store move.
I didn't have a record player.
I'm a record producer and songwriter; I'm a problem-solver.
I'm just a musician and a record producer.
The intentions of record companies are not good, from the musician's perspective.
Shimamoto was in charge of the records. She'd take one from its jacket, place it carefully on the turntable without touching the grooves with her fingers, and, after making sure to brush the cartridge free of any dust with a tiny brush, lower the nee...
A song is a song and a hit record can change a life.
I'm working on a proper rock record, a good, old-school rock record. Finally.
I have a relatively good track record.
A good record transports you to another place.
