Most of the time with video games, you're recording by yourself.
I've turned down a lot of roles to make time to record and tour.
I pick projects according to how fascinating they are to me, and it has resulted in a broad reach. My records are actually in five different sports: balloons, airplanes, airships, gliders, and sailboats.
Whatever my recorded output is, it's a reflection of a general love of music.
Since the decline of record companies and music sales, I've always played live.
Record covers helped me discover a lot of music that I wasn't aware of.
When it comes down to the music, it's just you and the microphone. It's not you and the record execs.
Pro Tools was invented to quicken the recording process.
Growing up, we had folk records.
I think I really produce my best work in Iran.
As a producer or financier, you are going to go where you get the best bang for your buck.
Composers and lyricists are making songs that are approved by the producers and directors.
I'd like to be an assistant producer to a reality show.
Frequently producers have partners that they never let the public know about.
In general, I don't feel artists should need producers.
Producers are so much better-educated in issues related to terrorism.
The deepness of your mind produces the thickness of your thoughts.
I don't think the subject of a documentary film should be producers on it.
Ultimately, I am very filmmaker oriented, as a producer.
Nothing on 'Relapse' and very little on 'Recovery' was produced by me.
I like to work with different musicians and producers to change the feels of every release.
