That's the unwritten rule in hip-hop. If I get on a record with you, I want to smash you. That's it. Every MC knows that. If I'm on a track with you, I want to be the best on the track. That's just how it is in hip-hop.
People don't appreciate music any more. They don't adore it. They don't buy vinyl and just love it. They love their laptops like their best friend, but they don't love a record for its sound quality and its artwork.
My mother and father are very involved with music. It's completely part of their soul. They have an incredible record collection, all vinyl, of some of the best artists, in my eyes, that you can come across.
Even though we didn't actually record it as the Move I had already written a song called 'Dear Elaine', which I subsequently put on the Boulders album. I thought at the time that was probably the best song I'd written.
I knew I didn't want to make a country record just because that's not really what I would have ever made as a solo artist.
Any man and woman, and I've been on the record, any man or woman who wears the uniform and serves this country is a hero. I've said that repeatedly at all the town halls I've had.
We were telling everybody we weren't getting back together when we were in the studio actually recording. We wanted to try it on, to see how it would fit.
How lucky can one guy get? I was a runaway, and then I was in one of the biggest bands in the world. I've sold out every arena. I've sold millions and millions of records.
Idol has pretty much taken me out of my recording and out of my choreography. I have managed to slip in some choreography jobs. And I've been writing songs for other artists.
I have gotten more than I asked for. All that I ever wanted was to hear my voice on record and have a song among the Top 20.
I remember seeing the song in some diners on the selection gadget that plays records at the table while you were eating. We were never told if the songs ever got on any charts.
I've stopped acting, but I don't think I've finished using my voice. I could, and probably will, record the whole of Shakespeare's sonnets. They live at the side of my bed and are my constant companions.
English banjo players really were a law unto themselves - you don't find that kind of brisk banjo playing on the original Louis Armstrong or Bix Beiderbecke records.
When I was a tiny tot, we only had one record player in the house, so there was either Genesis on it or the Jungle Book or The Beatles as well, and various other things.
I generally sell my records online or at the show. You can undersell the distributor and the stores, and people know what they're getting cause they've just seen you live.
The Athletic Association competed against the University. So there was an event. You cannot break world records unless it is an established event, and you have three timekeepers, and the whole thing is organized.
Normally when we go in and write the songs we write, we think about doing a cover, but never a covers record. That would be, for us, a concept. We don't want to have a concept!
We played all of the songs on the first Johnny Winter AND every day before we recorded them, so that when we got in the studio, it was totally easy, as we knew exactly what we wanted to do.
In the nineties I was doing those Blues Bureau records, but over the past two years, I have really gone back to my Christian roots and have been born again.
First of all, you have to understand that I'm like anybody else. When I hear my voice on a record I absolutely loathe my voice. I cannot stand my voice.
I am extremely proud and honoured to have beaten Pete's record as he was my childhood hero and I have always looked up to him.
