If you are looking for a producer, try to contact established producers. Don't let the fear of theft paralyze you, or you will never get anywhere with it.
Now, what produces a want of demand? A refusal to take from other countries the commodities which they produce.
Success requires first expending ten units of effort to produce one unit of results. Your momentum will then produce ten units of results with each unit of effort.
A lot of producers cookie cut movies one after another, but I'll be a little more careful, and have the opportunity to be, because I have the acting career to subsidize the producing.
When I'm making a film, I don't want my producer to be on the sets. So when I'm producing a film, I don't want to be on the sets!
MacReady: [talking into tape recorder] I'm gonna hide this tape when I'm finished. If none of us make it, at least there'll be some kind of record. The storm's been hitting us hard now for 48 hours. We still have nothing to go on. [MacReady briefly t...
Marxism teaches that exploitation and degradation somehow produce resistance and revolution. It's been hard to say why. What I've learned from women's experience with sexuality is that exploitation and degradation produce grateful complicity in excha...
Ideas and thoughts are like genes...more you keep inside yourself more it multply with same species consuming your whole energy to breed to produce same old ideas and thoughts again and again until it kills you. So, let it be interact with other spec...
John Chambers: Look, if you're gonna this, you gotta do it. The Kho-maniacs are Froot Loops, but they got cousins who sell prayer rugs and eight-tracks on La Brea. You can't build cover stories around a movie that doesn't exist. You need a script, yo...
I loved the idea of recording. The idea of sound-on-sound-recording captured me as a young kid, and once I realized what it was I had an epiphany. Before I was even playing the guitar, I would create these lists of how I would record things and overd...
When I first came to New York I was a dancer, and a French record label offered me a recording contract and I had to go to Paris to do it. So I went there and that's how I really got into the music business. But I didn't like what I was doing when I ...
I got me a hit record and I ain't never made a cent from it.
I miss how a record label can help spread the word that you have something out.
No one was more surprised that that first Boston record took off than the record company itself.
Somehow, magically, I've become an electronic musician, and I have a recording studio that looks like the bridge of the Enterprise.
I find with records, they become what they're going to become. They take on a power and a direction of their own. Part of making records is to honor that and not try to force it.
After that initial success, every chance we got we'd hire that remote recording truck and just record stuff at the Whisky because it was so inexpensive.
I ain't never far away from a pencil and paper or a tape recorder.
For my second record I had gotten ProTools (program) and started to familiar myself with hard disc recording.
It is a lot cheaper to spend eight hours in a rehearsal hall than in a recording studio.
Traditionally, tours were a means of promoting a record. Today, the record promotes the tour.
