The living Church of the redeemed is his book. He founded a religion of the living spirit, not of a written code, like the Mosaic law. Yet his words and deeds are recorded by as honest and reliable witnesses as ever put pen to paper.
Predicting has a spotty record in science fiction. I've had some failures. On the other hand, I also predicted the fall of the Berlin Wall and the rise of fundamentalist Islam... and I'm not happy to be right in all of those cases.
And I remember going to the record studio and there was a park across the street and I'd see all the children playing and I would cry because it would make me sad that I would have to work instead.
It's very simple. We are asking baseball to come clean and set the record straight. Either baseball officials seriously want to rid their sport of doping, or they want to brush the issue under the carpet. So far, we haven't seen much evidence of the ...
I've fought everybody without ducking anyone. I have beaten 10 undefeated guys, and I never was comparing myself to the greatest in the sport. I was not thinking of breaking any records. I'm just enjoying my time in boxing.
I don't want to live in a society that does these sort of things... I do not want to live in a world where everything I do and say is recorded. That is not something I am willing to support or live under.
Most of them are pretty down records, pretty unhappy, pretty confused. Which only reflects how people in general were feeling, I mean really the sense that you get is society running down.
I do go back and listen to my songs. I'm biting my fingernails the whole way through, but I do listen. I have a lot of songs I've wanted to re-record just because of how advanced technology is and the different instrument sounds that I'm more experie...
We're so busy broadcasting our latest cultural disdain that we scantly notice anything we enjoy. 'Oh man, this Rebecca Black kid is terrible! Let's laugh at her!' has become more culturally relevant than, 'I really love this new Bilal record.'
After 'Mosaic,' I think a lot of people didn't know what my next record was going to be. And that's what I love. I just love doing music because I'm not going to follow the patterns and formulas of Music Row.
People buy my albums, and I love my albums when I do them because we try to record live with that same energy, but I can never get the energy that I have when I'm live.
Composing is what I love most from what I do. Each genre has a unique expression that you cannot supplant with another. All the records co-inspire each other though they are not tied conceptually in any way to another.
Like most things that happen with Sabbath, it happened all of a sudden. I was intending on doing some recording, but out of the blue, Sharon called up and said she wanted us to do these gigs with Ozzy. I said that if everybody else was up to it then ...
I love it when people say things to me in public and want to meet me, because I want to meet them! Early on, my manager told me, 'If you want to sell 500,000 records, then go out there and meet 500,000 people.'
Limp Bizkit is my main priority, but my side project, Black Light Burns, is still a labor of love. We have a record written, so we'll see when that comes out. When we tour, we go out in a van and trailer with me driving.
My mother was an opera singer and my grandmother a concert pianist, and they only liked classical music. If I put on a pop record, they would tell me to turn it off, so I only listen to classical.
For myself, I can only say that I am astonished and somewhat terrified at the results of this evening's experiments. Astonished at the wonderful power you have developed, and terrified at the thought that so much hideous and bad music may be put on r...
When you don't have a record label and you have been on your own as we have, you can look at all these other ways you can get in touch with other people and get music out there again.
I got interested in the idea of music that could make itself, in a sense, in the mid 1960s really, when I first heard composers like Terry Riley, and when I first started playing with tape recorders.
By the mid-'60s, recorded music was much more like painting than it was like traditional music. When you went into the studio, you could put a sound down, then you could squeeze it around, spread it all around the canvas.
I've had big record label presidents look me in the face and say, 'Your music sucks, you don't know who you are, your music is all over the place, and we don't know how to market this stuff. Pick a lane and come back to us.'
