People say I play real loud. I don't, actually. I'm recorded loud and a lot of that is because we have good engineers. Mick knows what a good drum sound is as well, so that's part of the illusion really. I can't play loud.
I would like to say when I turn the project over to the label that I have been successful. And that's truly the way I feel. But, in addition to the self-pride in 'making' a good album, to be honest, I'd love to have a hit record.
I've done two albums for Concord Records; one was with Al Jarreau and it did very well for us. The second album was called 'Songs And Stories,' and it had good songs and good performances, but I promised them I would do an album that was more jazz-or...
I just continue to look for different material, great material, as good as I can find, and try to go in there and do as good a job as I can do in making it a record. That's all you can expect. That's all that you can do.
Many people know that Ethiopia is poor. When I break a world record, maybe people get to know something else about Ethiopia, something good. We can't make planes or cars, we don't have the materials. We do what we can.
I got a very good life. I sold plenty of records, I get recognized plenty, I can always have somebody call up and get me a fine table at a restaurant. What do you really need, ultimately?
I love live performance and have huge admiration for people who can really do it. It's the same with music: I'll play a record and think that I'm not really into country or ragga. But, if it's live and the musicians are good, I'll listen to pretty mu...
Sly Stone doesn't make good albums: only good records. His style is so infinite and revolves around so many crucial aspects that it has only come together perfectly on a handful of his singles.
I've never been one to think it was cheating to sample this or to loop the drum part there - I've always done that. Even using four-track cassette recorders, I was always doing whatever I could to make it as good as I could.
Well, when you're recording an album, artists have what they feel like is good music, and the label, they're trying to sell the album. So those two ideas clash sometimes, but in the end it always works out. When you put the two together, that's a goo...
Most remember the groundbreaking first in sports; few remember the third or fourth to follow in those tracks. That's not downplaying anyone's achievements but rather recognizing that there comes a time when simply being there is no longer good enough...
Timidity makes a person modest. It makes him or her say, 'I'm not worthy of being written up in the record of deeds in heaven or on earth.' Timidity keeps people from their good. They are afraid to say, 'Yes, I deserve it.'
I still felt we had some really good music on that record, but it's a shame that we couldn't make it better. And the tour was a total mess. We just had no life, no energy, and I felt we were going through the motions.
You choose to be happy, and in life we have as many good days as bad days. I try to find and record those songs that pull you through the bad days, and keep you believing that the good days are just around the corner.
There were only 170 neurologists in Britain then and, whether spoken or unspoken, there was this insidious feeling. How can Bannister, a mere athlete, probably spoilt by all the publicity and fame, dare aspire to neurology? But I'd done a lot of rese...
Music's been around a long time, and there's going to be music long after Ray Charles is dead. I just want to make my mark, leave something musically good behind. If it's a big record, that's the frosting on the cake, but music's the main meal.
I didn't want to be a solo Westlife - covers and ballads - and the reason I signed with Capitol Records was because they wanted me to write songs myself. It was pretty scary, but they put me in a studio in Nashville with some new songwriters, and the...
I didn't worry about it because I kind of felt I left a good message and memory with the people in terms of my work, and I always felt with a good record, I could always come back.
Good short-story collections, like good record albums, are almost always hit-and-miss affairs - successful if they include three or four great tracks, wildly successful if they have five. And that's as it should be.
Despite being in public life, I value my own privacy immensely and would be as concerned as anyone else if I thought my mobile phone records could be easily available to officials across government.
Cartola is an artist from Brazil who didn't record until much later in his life, but had a big influence on a lot of famous artists down there, like Gilberto Gil. I discovered his music recently when I was in Brazil.
