Oh I had crushes on all my leading men, I think. Oh, you know who I really had fun with? In this movie 'Mother, Jugs & Speed,' I really liked working with Harvey Keitel.
I had massive anxiety as a child. I was in therapy. From 8 to 10, I was borderline agora-phobic. I could not leave my mom's side. I don't really have panic attacks anymore, but I had really bad anxiety.
I wanted to be an astronaut and wanted to go to space camp, but then I found out that I was too short to become an astronaut. My mom really made me believe that if I worked hard enough and if I really wanted to do it, I could do it.
The thing is, when we do fight scenes, when we kill people in the movies, they bring in experts to choreograph it bit by bit, because you can't really kill someone, and you don't want to really hurt them.
When I was a kid, I was really into 'A Nightmare on Elm Street' and 'Friday the 13th.' But as I got older and started working as an actor, I did not really get scared by horror movies as much, so I am not as into them anymore.
When I was growing up, Dr. Seuss was really my favorite. There was something about the lyrical nature and the simplicity of his work that really hit me.
After doing a bunch of movies as a stuntman, I realized that being a stuntman, you are in the shadow of the actor, and they don't get to see your true ability, and I wanted people to see that it was really me doing those stunts, and it was really my ...
I really want to meet and work with JJ Abrams. Everyone talks about what a nice director he is, and he has kids and stuff, so he sounds really awesome, not to mention he makes awesome movies.
Jim: No, no. No, see, this is a really shit idea. You know why? Because it's really obviously a shit idea.
Rollergirl: [to Amber in a documentary about Dirk] He can fuck really hard or he can fuck really gently. He's the best.
Don't envy those who seems having everything, they don't really have everything. They have what they want and live the life they want but they don't have what they really need.
In the songs I can still be really really direct but in interviews when I'm explaining my songs I shouldn't be so direct about who they're about.
I feel that a lot of roles in television can really typecast someone as one type of actor or playing one type of role, but I really don't think that my role in 'Weeds' did at all.
I'm very tech-forward. However, I also think hitting the pause button is not a bad thing, and really connecting with people one-to-one viscerally, having a connection with someone, is really important.
I'm focusing on cultivating my land. I have vegetables and fruit trees; I want to get some chickens and solar and really get off the grid and focus on just, really, being a mother.
I go to church every Sunday, which is like going to the gas station once a week and really, really filling up.
Well, I guess I needed this tough first round to really put me into that tournament, to really erase what happened at Indian Wells, which is now the case, you know.
To passively get up and play a bunch of old songs wouldn't have really motivated us. So we are bringing the new material into the set and it goes down really well.
The biggest difference between Kennedy and Nixon, as far as the press is concerned, is simply this: Jack Kennedy really liked newspaper people and he really enjoyed sparring with journalists.
I hadn't done much rapping in a while. I really wasn't sure I was going to do that any more. For a couple years I thought I was done with that. It wasn't really required of me.
There's a gap between people knowing what I do and really believing that I still do that - and wondering what it is I really do.
