BBC3 even started their biggest shows, like Jack Whitehall's 'Bad Education,' they premiered on the iPlayer a week before it went on TV. I think it should always be at the forefront of what is fresh and exciting, and therefore it should be the first ...
As slavery died for the greater good of America, and the movement for equality sputtered to life, the white woman was on the cover of every American magazine. She was the dazzling jewel on every movie screen, the glory of every commercial and televis...
My views on equality are pretty obvious. I mean, I did play a highly complex lesbian techno DJ on TV, but I know it's not always easy to come out and tell the world where you stand.
I feel terrible for directors of TV because all the episodes have to look the same. They make a great series for five or six years, and then when it's canceled, they can't break out on their own.
That's great because I know as a teenager, I didn't relate to a TV series where all people do is cheerlead and drink sodas on the weekend. So I think it'll be great if it can be seen by a few people at least.
I love TV, don't get me wrong. But with film, you're just banging out this one product, and you're not waiting on another script. You have your script. It's great in that way. It's as close to theater as you can get.
Television is like speed chess, as you have no time and no money. It is like trying to play Grandmaster chess with a 20 minute timer. The rewards are great, though, as it moves faster and you get to see the finished results much quicker.
I'm frustrated with Hollywood and television and the movies because they see science fiction as an excuse for eye candy, for lots of great special effects.
I've got one outlet now - music - and it's great to be able to sign someone that excites me. I'd like to also be able to do that with the scripts I get or books or TV shows... I'm not going to limit myself.
When women get great roles in life, they start to get great roles in films and TV. Look at Janet Reno, Madeleine Albright, and Mrs. Thatcher. Because those images are coming at us in life, they are reflected in acting.
If you had told me in the Seventies and Eighties that TV would be as edgy or edgier than most films, and more intelligently written than most films, I wouldn't have believed it. There's great stuff out there.
My television and movie career has also taken me all over the world. I've had great times in the Far East, Russia, South America and Sweden - where I met my wife of 55 years, Maj.
I'm interested not just in projects that I'll be starring in, but producing film and TV that's really quality and great for adults; and when I say 'great for adults,' it doesn't mean without humor, because I'm also interested in doing comedy.
Everyone saw me on TV or read articles, and it was all about my great marriage, the white picket fence, all this success and my perfect life. But behind the scenes, it was a struggle.
It's so great in Hollywood now. You have people past 40 sitting and talking about serious stuff, writing and making movies and TV, but there's laser pistols and superheroes and alien monsters involved. It's viable and mainstream.
TV and film were always governing passions of mine, and that first wave of great HBO shows in the early years of the millennium was feeding my desire for fiction more than the books I was reading.
I was opposed to doing TV for a long time because I thought the quality of writing wasn't very strong, as opposed to film, but there's been a shift in term of the quality of scripts. HBO has attracted a tremendous amount of great writing talent.
We were a Western civilisation, an English speaking civilisation, both NZ and Australia, and we had all these influences coming from both Great Britain and America to us; sending us their culture in the shape and form of movies and television.
America's popular heroes have seldom been its great thinkers, and even less its scientists. The success of TV's 'Big Bang Theory,' which seems to give the lie to this claim, is more the exception that proves the rule.
People know the facts of a story just as well as the people on TV do, and they have more platforms to hold the media accountable when they don't get it right. We are a world full of media experts. That's a great thing.
I know what it takes to go from the point where someone's looking at a newspaper article, and thinking, 'Oh, this would make a great TV series,' to the point where you're actually on a set and there's a camera aimed at someone.
