Whatever you want to do in the industry, do it on the smallest level at first. If you want to be a writer, write a screenplay in your house. If you want to be an actor, put on a one-man show. If you want to be a stand-up comedian, go to an open mic.
Sensitive people faced with the prospect of a camera portrait put on a face they think is the one they would like to show to the world... Every so often what lies behind the facade is rare and more wonderful than the subject knows or dares to believe...
Another thing that I don't like to do is show too much how it goes. I do it once in a blue moon. Sometimes there are lessons when I don't pick up a violin at all.
I'm sure that you could go back and make a graph showing that all the killings of black males increased in times of economic difficulty. As a matter of fact, a black man was lynched last year.
In many ways, I think that, while we've been remarkably violent in our media, there's been a real schizophrenia. In private, on the Internet, and on public-affairs shows or talk radio, we're way more explicit than we've ever been.
Any New York group can come to L.A. and sell out every show, but an L.A. group who goes to New York might not do the same because the audience hasn't been introduced to the group.
Playing a stadium is a big adrenaline boost for me and I dig it. It keeps me on my toes and makes me revamp everything I'm doing and not get stagnant with how I approach every show, which is something I like.
When you accept a role in a pilot, you automatically sign up for five years. You think it's scary to walk down the aisle? Try signing a five-year contract for a show you may not want to be part of down the road.
When you go to commercial, you want something to call the viewers back, and if you don't have a decent act out, the audience probably won't be there in the numbers you want when the show returns.
And that might have led to other shows but you know what LA is like. I was in my early 30s and it wasn't going to get easier. You know, that's when you start to wonder if you might have to get lots of plastic surgery.
I often tell audiences at the start of my shows that I'm not gay because I've got petitions from lesbian groups saying 'Can you tell people you're heterosexual because you're giving us a bad name.'
There are essentially two main reasons to hold a phone up at a show. First, to capture a memory for yourself, a reminder of the moment you're enjoying. And second, to share that moment with someone - to express your emotions socially. Both seem perfe...
The problem is that television executives have got it into their heads that if one presenter on a show is a blonde-haired, blue-eyed heterosexual boy, the other must be a either black gay or a lesbian. Chalk and cheese, they reckon, works.
When people show loyalty to you, you take care of those who are with you. It's how it goes with everything. If you have a small circle of friends, and one of those friends doesn't stay loyal to you, they don't stay your friend for very long.
I do believe very much in movie as a one-man-show. I think that where I've watched movie go wrong, it's usually because the dread committee has been interfering with it.
how you feel in words is still an action.. because it takes years to express them, time to get them just right, effort to mean them, courage to show them, & dedication to live up to them.
A lot of people think that there has to be extreme continuity in an album, but if you look at my background, it's variety! I want to see some variety in an artist, I want to be entertained, I want some depth. Show me some different styles!
When there's an accident, we all have to slow down and watch the accident. We all have to be a little voyeuristic. I mean, look at the world we live in now, with all these 'Big Brother' shows. We're all a bunch of voyeuristic people.
Questions are often more effective than statements in moving others. Or to put it more appropriately, since the research shows that when the facts are on your side, questions are more persuasive than statements, don't you think you should be pitching...
That's like one of the things - you know, being a writer, it's not just like they're constantly like giving you jobs and shows. There was some lean years, man, and - well, a lean year and a half. 'Woe is me.' Right?
I'd like to think my performance is today. I never try to - it's so, as you know, watching me, I have a beginning, middle and ending. But every night the show changes and I relate to an audience and I relate to the young people.
