Pepe: Art sure is ugly. Neil: Shows how much you know about art. The uglier the art, the more it's worth. Pepe: This must be worth a fortune, man.
[Aladdin and Jasmine are hanging out in Al's hideout when Razoul's guards show up] Guard: Here you are! Aladdin, Princess Jasmine: [both] They're after me! They're after you?
Beast: I'll show you to your room. Belle: My room? But I thought... Beast: Do you wanna stay in the tower? Belle: No. Beast: Then follow me.
Elwood: Tonight only, the fabulous Blues Brothers. Rhythm and Blues review. The Palace Hotel Ballroom. Route 16. Lake Wazzapamani. The fabulous Blues Brothers show band and review.
[the spy shows the right building] Garrison: Is he sure this time? Harell: He sounds scared shitless. Garrison: Good. That's always a good sign.
Senior Ed Bloom: What do you want, Will? Who do you want me to be? Will Bloom: Just yourself. Good, bad, everything. Just show me who you are for once.
Hamilton Swan: I remember what I was drinking when I met you. It was a grande espresso. Meg Swan: That's right. And I thought that was really sexy.
Buck Laughlin: Tell me, do you know the difference between a rectal thermometer and a tongue depressor? Nurse: Uh, no. Buck Laughlin: Remind me never to come to you for a physical!
[Yelling at her husband who is trying to coax their son down from the roof] Fay Berman: Don't look him in the eye! It challenges him! He doesn't like that!
Hotel Manager: [handing back a credit card at check-in to the Flecks] I'm sorry, that card's been declined. Cookie Fleck: Oh, no! That's the good card!
Buck Laughlin: I went to one of those obedience places once... it was all going well until they spilled hot candle wax on my private parts.
A story isn't a charcoal sketch, where every stroke lies on the surface to be seen. It's an oil painting, filled with layers that the author must uncover so carefully to show its beauty.
To be stuck with that Kardashian label, that was so hurtful to me and to my career. I probably realized that too late - not that it would've affected my decisions in terms of who I dated, but it would've affected my decision to appear on the show.
So I think what you see in this show is it's really not a just world at all, but you get what you give. So in terms of world view, I would say that's where the differences lie.
I definitely got to a point where I realize how unusual it is to be able to play large, sold-out shows 30 years into a rock and roll career. I don't take it for granted.
In my introductory course, Anthropology 160, the Forms of Folklore, I try to show the students what the major and minor genres of folklore are, and how they can be analyzed.
The album is a thing that you can hang out with between shows. I think that it's really nice to give people something they can enjoy in a private situation or walking around, just as the soundtrack of their lives.
It's a hard line to walk, man. Cause you know you want to make this movie, you want to make it dark and real, you want to show all this stuff but unfortunately you can't always do that.
I still play that guitar. It's a Martin D-18 with a clear pick guard. I've played that guitar on and off my TV shows for nearly 50 years.
Everywhere I go, I see all kinds of people at my shows - conservatives, liberals, new-agers, teen-agers, old pensioners. And for those people to have something in common is real interesting to me.
The thing with 'Alphas' is that, even though it's sci-fi, I run into lots of people that have watched the show for various reasons. They're like, 'I had no expectation, and I'm totally blown away and fascinated.'
