Many French directors, having now realised there was no more real criticism, that the standards of the past have gone, are very offended about the quality of film criticism.
I acted when I was a real little kid. My mother was an actress in a Miami theater company comprised of actors from Cuba like her and I was the default kid.
I get really insecure because even though I can speak in musician's terms, I don't know as much as real musicians.
For a girl, the wedding is when you're married. For a guy, it's when you get engaged. It takes a real aggressive human being to back out between the ring and the wedding.
I happen to take photographs, and they happen to be used for a lot of things, but they're not really made to order. They're paid for, but they're not made for order. I've never really done real commercial work.
I'm still awaiting the idea of drawing comics for a living being a reality. I feel like I've been dodging work for 20 years, and at some point, I'll have to get a real job.
Everyone is usually screwed up in some way and that is usually where the work comes in - figuring out how to make it believable and make it real to present someone's problems that you don't necessarily actually know anything about.
Whether you're on TV or on the stage, you have to work hard to stay fresh, real, and full of energy. You can't settle back. You always have to stay on your toes.
Conservative policies have on the whole worked - insofar as any set of policies can be said to 'work' in the real world. Conservatives of the Reagan-Bush-Gingrich-Bush years have a fair amount to be proud of.
For better or worse, when Sen. Inhofe speaks, the Republican Party follows. And when the Republican Party follows, it is impossible to get real work done in the Congress.
New Yorkers have real issues, and they deserve to have a mayor that is prepared to work with them to solve the challenges they have, reduce the problems that they have, and they deserve to have a mayor's race that is focused on them.
My father worked real hard. I admired him. My father taught me you needed to work with your brain and not your back. I've made that a passion.
I was a big 'Blue Valentine' fan. I really loved that movie. And I thought the performances were just unbelievably real, which is certainly what I always strive for in my work.
This is terrible, when a writer is bored by his own work, but it was a real bomb and had reached the point where I couldn't even stand to look at it any more.
What an artist learns matters little. What he himself discovers has a real worth for him, and gives him the necessary incitement to work.
There are no real guidelines or maps in Australia as to how to write a show, whereas in Hollywood it's where the TV industry is created and there's a lot of work that goes into development.
It was a real honor to be able to work with someone like that that I've been watching since I was a kid. I mean, to play his brother left some people scratching their heads but something about it really worked.
I was raised a Catholic. But I am not religious. In my work, I am interested in real flesh and blood.
After college, rather than pursue real work, I joined a folk group and sang in coffee houses and nightclubs, an occupation that does little for the intellect and even less for the complexion.
The joy of 'Crash' was that it was all about the work. It was my first real part. Before that, it was a line here and there, maybe a scene. 'Crash' was five scenes, a beautiful arc, a little vignette of my own. It really meant something.
I was a big fan of Indiana Jones; then I realized he was kind of a fake hero. The real heroes are the people who work hard and do their stuff right, like firefighters and policemen.
