Chairman: Can you think of anything of real value that the outsiders have brought with them? Bess McNeill: Their music!
When I was 12 and met my real father for the first time, I was terrified I would lose the one I already had.
My first job was a film called 'Storm Damage' for the BBC. I was 16 and working with really respected British actors. I didn't have an agent at the time, and it kind of threw me into real acting.
The only time it dominates is during a solo, or when we play a low blues and I put figures in behind Eric's vocals. There's never any real problem fitting guitar and organ together.
I was into comics because these were my real male role models, even though at the time, I didn't know it.
Perhaps it is time to debate culture. The common story is that in 'real' African culture, before it was tainted by the West, gender roles were rigid and women were contentedly oppressed.
A long time ago a bunch of people reached a general consensus as to what's real and what's not and most of us have been going along with it ever since.
As a teenager, I used to use the nickname 'Moo' as a moniker online, and then I turned into 'Moot' for fun, which I didn't even realize was a real word at the time, and it just stuck with me.
Be reactionary. React to what the market wants. And the market wants one-on-one real time engagement. Now that we have the tools to engage, I'm going to continue fighting for the end user.
You cannot prove this in real time, but when economists 20 years from now write a book on the recovery, it may well be entitled, 'It could have been much better.'
The pope is an intelligent man and realizes that time marches on. He says the Church has a long way to go in developing a real strategy that integrates women - but clearly he is baffled as to how to do it.
I used to have a real problem with self-pity. Every time the devil would throw a pity party, I would attend.
The sense of war, the extraordinary bravery of the Allied armies, the numbers, the losses, the real suffering that disappears in time and commemorative oratory, are not marked out in any red guidebook of the emotions, but they are present if you look...
I wasn't a perfect thing at 17. I didn't have confidence. I was hunched over and real embarrassed, and I didn't want to be in the limelight. But it changed over time.
Time limits are fictional. Losing all sense of time is actually the way to reality. We use clocks and calendars for convenience sake, not because that kind of time is real.
A reader can never tell if it's a real thimble or an imaginary thimble, because by the time you're reading it, they're the same. It's a thimble. It's in the book.
The '80s to me, more than anything else, represents a time of real criminal activity in the office of the president: an incredibly disparate economy in terms of the class distinctions and whatnot, and a tremendous shallowness - a lot of sort of bank ...
All the time that I'm acting with an animated character, I'm looking at a tennis ball or sticky tape or an eyeline or a man in a green suit. There's no real environment, just this electric green that's blaring into your brain.
Whatever I own is temporary, since we're only here for a short period of time. It's what we do and produce, it's our actions that will last forever. That's real value.
We live in a culture that has a real hard time distinguishing fiction from reality. Even when they're told something is fiction.
I loved 'Dumbo.' I watched Bugs Bunny time and again. The Muppets were big, too. All of those, they have this real, not darkness but poignancy, that's what makes it stick with you.
