In order for our country and economy to get on the right track again, we need a leader who understands how the real economy works and has the vision to fundamentally change Washington. That leader is Mitt Romney. No other candidate in the field posse...
My work was fairly theoretical. It was in recursive function theory. And in particular, hierarchies of functions in terms of computational complexity. I got involved in real computers and programming mainly by being - well, I was interested even as I...
When you have a dream that you can't let go of, trust your instincts and pursue it. But remember: Real dreams take work, They take patience, and sometimes they require you to dig down very deep. Be sure you're willing to do that.
Martin Luther King was a misguided leader. He worked to be recognized as the leader of black America, when what black America needs isn't a leader - it is education. Giving speeches and marching - that's not the concept that brings about real freedom...
And I think people who sort of glibly say, 'Well, you know, they're not going to handle security, UAE is a great ally,' four and a half years ago, they were not an ally, they were working with the enemy, and if those same people are still there today...
It's a real gift to be able to have the works of brilliant, great people to learn from and build from. It gives you so much more to draw on, and then you don't have to be all about three-chord pop songs. I don't really like that kind of writing.
I never wanted for anything. We went to Ireland for holidays every year. I was 14 when we first went to Italy. My mum was determined I was going to go to a good school. My mum was an absolute grafter. A real grafter. I got my work ethic from her.
Democracy doesn't require a whole lot of work of its citizens, but it requires some: It requires taking a good look outside once in a while, and considering the bad news and what it might mean, and making the occasional tough choice, and soberly taki...
I'm interested in pursuing roles that allow me to push against my own walls, my own constraints as a human being, and to find out where I'm capable of going. In real life, I'm not very good at feeling emotions, so I like to do it through my work.
I always say three things make a writer: inspiration, obviously; perspiration, doing the work. But the third is desperation. I'm not really fit for anything else, or to have a real job. That fear drives me. The pressure has always been self inflicted...
I believe God is real, but I believe God calls me beyond myself to take responsibility for my life and to try top work to allow other people to be themselves and to take responsibility for their lives.
I've worked for a long time, but I got to the point where I felt like, I am out here so far, how do I get back? I want to have a real life, a personal life. I didn't want a personal life I just visited.
I live a perfectly happy and comfortable life in Blair's Britain, but I can't work up much affection for the culture we've created for ourselves: it's too cynical, too knowing, too ironic, too empty of real value and meaning.
After 'The Real Thing,' I thought about giving up acting because it's difficult to have a rich life outside your work when you're an actress, a private life that can survive being picked up and put down. That's what I thought, anyway.
Most of your life as an actor in Hollywood, either an actress or an actor, you have to look - you have to work out, you have to look - you rarely get to play someone who's just human, who's real, who is overweight, even not grossly overweight, but wh...
Always write as if you are talking to someone. It works. Don't put on any fancy phrases or accents or things you wouldn't say in real life. Say someone cried - don't say: 'tears coursed down her face'. Take it nice and easy, don't try to impress.
After I left college, I went to work at the Royal Opera House in London, which became a real catalyst for me because it made me realize that I was interested in cinema and in the way life is thrust at you. So I started making films.
My first ever sex scene in a movie was in 'Superbad.' Because I was 17, for legal reasons my mother had to be on the set. It was real awkward, but it worked out OK because when I watched the movie with her, the sex scene wasn't awkward because she'd ...
They came down on us because we had a grass-roots, real people's revolution, complete with the programs, complete with the unity, complete with the working coalitions, where we crossed racial lines.
I never quite understood these actors - though I envy them sometimes - who can lie out for a year or two. I feel as though time is a real pressing issue, and I want to get as much work done in the time that I have left.
Institutions develop because people put a lot of trust in them, they meet real needs, they represent important aspirations, whether it's monasteries, media, or banks, people begin by trusting these institutions, and gradually the suspicion develops t...