But the beauty of Einstein's equations, for example, is just as real to anyone who's experienced it as the beauty of music. We've learned in the 20th century that the equations that work have inner harmony.
No good case exists for the inequality of real and intellectual property, because no good case can exist for treating with special disfavor the work of the spirit and the mind.
What's so great about working with really funny women is that vanity comes second. Whatever makes it real and funny, they're going to go for, and it's just great.
The most difficult problems are naturally not involved in the search for forms for contemporary life. It is a question of working our way to forms behind which real human values lie.
Always write as if you are talking to someone. It works. Don't put on any fancy phrases or accents or things you wouldn't say in real life.
I don't think people want to see me as a regular guy; besides, I'm a regular guy in real life. I guess I just want to be reckless in my work.
You can't copy anybody and end with anything. If you copy, it means you're working without any real feeling.
The real composer thinks about his work the whole time; he is not always conscious of this, but he is aware of it later when he suddenly knows what he will do.
You have to be in movies that make money to be offered work. Basically that's the equation. There's no real way around that. That said, you don't ever make decisions solely for that reason.
They were looking for actors - real actors - who could play instruments. There was a lot of improvisation and scene work involved in addition to the music. The auditions went on for a long time.
This is the real secret of life -- to be completely engaged with what you are doing in the here and now. And instead of calling it work, realize it is play.
I usually can find a way to do a character to make it real and work. But sometimes it's a struggle sustaining that, because there's such a level of personal involvement and personal, physical, and emotional distraughtness.
The real scientist is ready to bear privation and, if need be, starvation rather than let anyone dictate to him which direction his work must take.
What I worry about is that people are losing confidence, losing energy, losing enthusiasm, and there's a real opportunity to get them into work.
When you work on something that combines both the spectacular and the relatable, the hyperreal and the real, it suddenly can become supernatural. The hypothetical and the theoretical can become literal.
Mr. Speaker, as a grateful recovering alcoholic of 24 years myself, I am living proof that treatment does work and that recovery is real.
I have to admit to not being the greatest technician, but stop motion animation gives me licence to create machines that wouldn't otherwise be possible - inventions that seem real and actually work.
I became a real Shell Motor Oil expert, and I did this 25-minute film. It turned out really well and, as a result, they offered me more work and lots of commercials to direct.
I don't think you want to hurt businesses that are making $250,000 or $500,000. Those are the real people who created the opportunity to put people to work.
I knew early on after the first couple episodes were fully scored and animated that we had a real quality show here. But I always questioned whether or not it would work.
I like a challenge. I need to feel passionate about something. If I'm not passionate about it, I can't stand it. It has to feel real. DJ'ing, touring, charity work - anything.
