I'm either offered window-dressing parts in large movies or little art films no one ever sees. People think the movies I end up doing are my real choices. I do the best things I'm offered.
I recognize that it is through the engagement with my craft - by recognizing an idea and drawing it out, building physical models, collaborating with experts, constructing the sculptures at urban scale, and maintaining them through years of weather a...
My initial plan was to spend a year in France, go to some kind of school and learn a bit of French. I went a year in an American college in the outskirts of Strasbourg, but got a glimpse of a real art school, L'Ecole des Arts Decoratifs, and enrolled...
That's what all art's about - a sense of moving away from boundaries that you can't in real life. Like a dancer is always trying to fly, really - to do something that's just not possible. But you try to do as much as you can within those physical bou...
I like characters. I like spirited characters whether they exist in fiction or real life. Whether they're the invention of artistic people or directors, musicians. I think music and art and fashion designers inspire me and I like characters.
I have no real training in the history of fine art or furniture; my eye just works by proportions. I react intuitively. In London, it's all about color because the weather is so gray, and in that cold light they look beautiful.
Dying is an art, like everything else. I do it exceptionally well. I do it so it feels like hell. I do it so it feels real. I guess you could say I've a call.
He found it both sad and fascinating that only through an artificial universe of video images could she establish contact with the real world.
I never liked Jules Verne, believing that the real was always more fantastic than the fantastical.
Heroin was a coping mechanism that I had used to deal with my underlying fears. They were the real problems; heroin wasn't the culprit, my fears were.
Happily ever after?" "If justice doesn't triumph and love doesn't make the circle in entertainment fiction, what's the point? Real life sucks too often.
You," he said, "are a terribly real thing in a terribly false world, and that, I believe, is why you are in so much pain.
It's not often you encounter the real person behind a good-natured mask, the darkest parts of someone. It's not comfortable when you do.
To realize one's destiny is a person's only real obligation and when you want something, all the universe conspires in helping you to achieve it.
Class is entirely intangible, and the way it affects things isn't subject to scientific analysis, and it's not supposed to be real but it's pervasive and powerful. See; just like magic.
It's just a feeling I have. What you see with your eyes is not necessarily real. My enemy is, among other things, the me inside me.
You know how you're always trying to get things to come out perfect in art because it's real difficult in life
I keep it real normal, like I don't try to act like a celebrity, or say that just because I'm on a TV show I can do other types of TV. I take it very seriously and I respect the art of acting.
The real problem with the art world is not the money men scavenging in its wake - they've always been there - but the pirates who've taken over the ship. I am thinking, of course, of that awful art world species: the curator.
In the real world, babysitting is a groovy way for young people to learn responsibility (and earn a little pocket money). In the Terrorverse, it's a plot device used to kill teenagers.
...maybe you think up North is way different from down South. Don't believe it and don't count on it. Custom is just as real as law and can be just as dangerous.
