It is quite surreal having a film made about your life. The whole process of turning real life into drama is interesting in itself, but even more so when it is your own life being put into the narrative forge.
I can be bolder on the page, as a character. I can gnash my teeth, I can scream and yell, in a way that I'm perhaps too timid to do in real life.
But there were highs as well as lows, it was as though they said everybody was picking on the man who had more practical real life experiences than the whole batch of them put together.
I don't tend to write straight dramas where real life just impinges. But because I don't, when I do, it is very interesting to slap people in the face with just an absolute of life.
I do feel that there is a little confusion in people's minds between the real me and sitcom Miranda. I am pleased that people identify with the character, but I think they want me to be her and are disappointed that the real Miranda doesn't actually ...
Very rarely am I attracted to characters that are 'woe is me.' I'm not a big fan of women that have to be the victim and need to be saved, at all times. I don't necessarily think that's how it is, in real life, and I don't think that's how it should ...
A real love story is sometimes exhausting. A romance is deliberately constructed to yield a certain result; the ambiguities are trimmed out, so it's neater and more pleasing to our hearts. But you don't live a love story, you live a life.
One thing I was thinking about is that they probably get their come-uppance about the same percentage that people in real life do. Basically, stealing for all practical purposes might as well be legal in New York.
The real world dissolved and I was free to drift in fantasy, living a thousand lives, each one more powerful, more accessible, and more real than my own
My biggest satisfaction is always when I make something beautiful and well-done that I can see on a real man or woman - not only in the glossy magazines.
You have to always try to think about them like real people first, and not just heroes. They have to be real characters. As people do more and more superhero stuff, the characters are what distinguish it, just like in cop shows.
Entrepreneurs go through real problems and come up with real solutions. It's not fake. You can do all the right things and still lose. You can do all the wrong things and still will.
I think the avant-garde often hides itself in the highly incomprehensible because they are frustrated that the real world is so boring.
At first, the only thing that I learned was to save. Then I learned about mutual fund, then later on direct stock investments. I also went into small businesses and even real estate.
It’s scary when it’s real. When it’s not just thinking about a person, but, like, having a real live person in front of you, with, like, expectations. And wants.
I am real, real picky with what I decided to do. I want to make sure it's new and at the same time that it's in the same color of what I have played before. Not to pigeon hole myself but I don't like to do fluff.
Judah Rosenthal: [to Ben] Jack lives in the real world. You live in the kingdom of heaven. I'd managed to keep free of that real world but suddenly it's found me.
Edward D. Wood, Jr.: You know, you're, you're much scarier in real life than you are in the movie. Bela Lugosi: Thank you.
Norman Ellison: Sergeant Collier? I think I want to surrender. Wardaddy: Please don't. They'll hurt you real bad. And kill you real bad.
Sally Buck: You look real nice, lover boy, real nice. Make your old grandma proud. You're gonna be the best-looking cowboy in the whole parade.
Andy Kaufman: You don't know the real me. Lynne Margulies: There isn't a real you. Andy Kaufman: Oh yeah, I forgot.
