I'm about to go to Sundance for my 3rd year, and Sundance has never felt like a real independent festival at all. On the other hand, it might to start feel that way.
I think every guy that hits his 40s has a little bit of a wake-up call and wants to just keep things real, as they say, and just to push yourself.
For me as an actor, you always sort of want to bring yourself to a character in some way. You want to find a way to approach something in a way that's real and interesting, and also so there's some empathy there.
Hugh Wilson made it so real and he took us and it was almost when he was directing it, the way he would do it was funnier than the way we did it. And I just developed a regard for him that was unbelievable.
You'll walk with me out on the wire, cuz baby, I'm just a scared and lonely rider, but I gotta know how it feels... I want to know love is wild, babe, I want to know love is real.
There is no real limit to how much better a person who really commits to getting better can get. Every manager has the potential to become an excellent manager for the rest of his or her career.
What I have yet to see is a real woman choose a younger man because he spent six hours a day at the gym trying to sculpt his abs.
Sometimes I want to be on 'The Real Housewives of New York.' I want to remind them to figure out how to get along and support each other.
I really became convinced I wanted to tell the story of the real-life model for the Degas sculpture 'Little Dancer Aged 14,' which was unveiled in 1881, the Belle Epoque.
I, of course, wanted to play real jazz. When we played pop tunes, and naturally we had to, I wanted those pops to kick! Not loud and fast, understand, but smoothly and with a definite punch.
It's more like can I build a group of characters and can I tell some universal truths that feel real and aren't formulaic in the spirit of filmmakers gone by who've told American stories that were personal and universal as well.
Creating characters is like throwing together ingredients for a recipe. I take characteristics I like and dislike in real people I know, or know of, and use them to embellish and define characters.
The real technical problems came because people working on the project didn't really follow my proposal at all, but set out to do other things instead of making a laser.
While one should never underestimate the ability of risk-besotted financiers to wreak havoc, the real threat to capitalism isn't unfettered financial cunning. It is, instead, the unwillingness of executives to confront the changing expectations of th...
This country would be a better place to live in if all the resources we currently put toward criminalizing marijuana were instead spent by law enforcement on protection from real crime, as opposed to victimless crime.
Some people experience rare moments when everything they believe is challenged. Or at least shaken up. Those moments stay with them. Surprise, real surprise, is an exotic thing not soon forgotten.
A poet, any real poet, is simply an alchemist who transmutes his cynicism regarding human beings into an optimism regarding the moon, the stars, the heavens, and the flowers, to say nothing of the spring, love, and dogs.
If we limit our vision to the real world, we will forever be fighting on the minus side of things, working only too make our photographs equal to what we see out there, but no better.
'Flying Down to Rio' established RKO as a leader in musical film production throughout the 1930s. The film helped to rescue the studio from its financial straits and it gave a real boost to my movie career.
I don't have a real plan when I do an interview. I have some themes that I want to hit. But I don't have a set list of questions that I knock off.
My real self, the self I have always been from a child, is a loner and nerd, slightly overweight, with a very heavy fringe. That is who I was as a kid. I don't think I will ever be anything other than that.
