It may interest you to know that my breakup with Terry and this mystery did not happen concurrently in real life. That is a writer's device, which places Gabriel under even greater pressure when the mystery begins to reveal itself.
I would like to get married, actually. I've done everything else in my life now except that, but where do I find the real thing? The non-phony? In Los Angeles? I am not so sure.
I definitely hand myself over to the hair and makeup gods of 'Girls.' Our look on the show is very specific, and it's different from mine in real life, although I've definitely learned things from working with both the hair and makeup people for the ...
The joke that I make is that there are instances on the TV series that happen to me, - except on Sex and the City they always make it better or worse than real life and I am actually saying that in a joking way.
I have a real problem with watching movies where I see this perfect woman who is married to the man in question, who has a perfect life, who has perfect hair, perfect clothes, and doesn't give you any of the kind of reality that you're used to.
Onstage I do all the stuff I'd never do in real life, like lashing out at people who make me mad or freaking out in a long bank lineup. Performing allows me to fulfill all the sicko fantasies I've ever had.
It is crucial that we develop real awareness of ourselves as citizens of Earth, linked by mutual and indissoluble bonds. When we clearly recognize this reality and ground ourselves in it, we are compelled to take a strict accounting of our way of lif...
I developed this fantasy world. I found that that was much more fun and more interesting and exciting than real life was to me. Then, once I got the guitar going when I was a teenager, I set sail for the direction I've been in my whole life.
You can also make explicit certain social problems which, again, would be prejudged or not encountered at all in real life, because people have set up defenses against it. Fantasy allows you to get past defenses.
The only conclusion you can draw from the real historical movement is that by and large, in day-to-day life, what Lenin called trade union consciousness dominates the working class. I would call it elementary class consciousness of the working class.
Most of my avant garde fashion is saved for my videos and for the stage. In real life, I tend towards a classy, black Goth look. I love black, a few sparkles, false eyelashes and boots. But when I perform, I love fantasy and props.
As a kid, I grew to define what I didn't want my life to be like by sitting behind moaning women on the bus, hearing them bang on about their aches and pains, both real and imagined.
The point I'm trying to make is that you go to church on Sunday. But the real Christ is out there in your life every day, whether it be the guy you help on the street, how you live your life, and your countenance that makes people want to be you.
It's only a drawback in the States, where most people seem to have no real interest in other countries and the notion of a novel which might offer insight into life in the UK doesn't seem to appeal very widely.
I'm not really an autobiographical writer, though I use lots of stuff from my life to make my stories seem real. But when I actually write about myself, I get very confused.
I know there are a lot of musicians and a lot of artists, and there are a lot of writers and other people who inspire young people, but I'd like to see somebody in political life be able to connect and make these choices that we need to make in Washi...
I was brought up not to be selfish or self-centered. So if you play somebody who isn't so lovable, you can play that person and no one will turn on you. I don't want to play that person in real life. Because then people won't like me so much.
I have always weirdly seen myself as more of a character actor. I have never been suave. I could never see myself playing James Bond. I suppose I could fake it, but I am certainly not James Bond in real life.
I'm mostly a historical romance reader, but I never miss a Susan Elizabeth Phillips book. Her characters are larger than life and heartbreakingly real at the same time. I don't know how she does it.
In the film world, we can all be heroes. In the real world, where heroism can cost you your life or the life of the ones you love, people aren't so willing to make those sacrifices. When they do, they are set apart from the rest of us.
I make no apologies for loving the finer things in life or the men I choose to date. I don't feel bad about the person I am. Now, I do have an edge, rawness and realness, and I can tell you I'm going to keep that.
