You see so many movies... the younger people who are coming from MTV or who are coming from commercials and there's no sense of film grammar. There's no real sense of how to tell a story visually. It's just cut, cut, cut, cut, cut, you know, which is...
They make three types of movies, and if you don't make one of those three, you have to find independent financing: It's either big-action superhero tent-pole thing, or it's an animated film, or it's an R-rated, raunchy sex comedy. They don't make mov...
Jakob Elinsky: [about the poem] To his coy mistress. Mary D'Annunzio: Well, it's not real deep or anything. The guy wants to get laid and he's telling her to give it up.
Gene Kranz: EECOM, is this an instrumentation problem, or are we looking at real power loss here? Sy Liebergot: It's, it's reading a quadruple failure - that can't happen! It's, it's got to be instrumentation.
William Miller: You said we were going to go to Morocco. There is no Morocco. There's never been a Morocco. There's not even a Penny Lane. I don't even know your real name.
[Iago is disguised as a flamingo. He turns around and finds a real flamingo smiling in his face] Iago: You got a problem, pinky? [he hits the flamingo with one of his stilts] Iago: Jerk.
Robert Crumb: You turned yourself into a comic hero? Harvey Pekar: Sorta, yeah. But no idealized shit. No phony bullshit. The real thing, y'know? Ordinary life is pretty complex stuff.
Real Harvey: If you think reading comics about your life seems strange, try watching a play about it. God only knows how I'll feel when I see this movie.
[Grace's last lines] Dr. Grace Augustine: Jake... Jake Sully: [takes her hand, speaks hopefully] Grace...? Dr. Grace Augustine: I'm with Her now, Jake. She is real... [dies]
Riggan: [waiting for his cue during Mike's scene] He's good, huh? Annie: He's incredible. I think he's drinking real gin.
Fred Jung: Money isn't real, George. It doesn't matter. It only seems like it does. Young George: Are you gonna tell Mom that? Fred Jung: Yeah, that's gonna be a tricky one.
Jack Lint: [about his wife's cosmetic surgery] Remember how they used to stick out? Sam Lowry: Oh, um yes. I always used to wonder if they were real. Alison: My ears?
Celine: I see it in the people that do the real work, and what's sad in a way is that the people that are the most giving, hardworking, and capable of making this world better, usually don't have the ego and ambition to be a leader.
The Kobe craze really annoyed me. Most of the practitioners had no real understanding of the product and were abusing it and exploiting it in terrible and ridiculous ways. Kobe beef should not be used in a hamburger. It's completely pointless.
If out of all mankind one finds a single friend, he has found something more precious than any treasure, since there is nothing in the world so valuable that it can be compared to a real friend.
We have to fulfill what the real meaning of the Second Amendment is: reasonable access to guns for self-protection and for hunting. And there's no room in America for these semiautomatic, automatic and other kinds of weapons that are simply designed ...
Dawn was written well before 9/11. People speak a lot today about the banality of evil, but not all evil is banal. Some of it is carefully structured and well-thought-out. That's where the real danger lies.
Sometimes there are customers who get in difficulty because of situations that are out of their control. These are customers with genuine needs, and the role of the bank is to accommodate these customers, and there is a real need to reschedule the lo...
They tend to be civil servants, often diplomats drawn from the Foreign Office, who may be very pleasant, intelligent people, but once they get inside the Palace they're riveted to the status quo and they lose track of public opinion in the real world...
I wrote "David" because it seemed to me that children, who can love a book more passionately than any grown person, got such a lot of harmless entertainment and not enough real, valuable literature.
Do people choose the art that inspires them — do they think it over, decide they might prefer the fabulous to the real? For me, it was those early readings of fairy tales that made me who I was as a reader and, later on, as a storyteller.
