I never quite understood these actors - though I envy them sometimes - who can lie out for a year or two. I feel as though time is a real pressing issue, and I want to get as much work done in the time that I have left.
I'm always amazed by writers who say, 'Oh you know I had a half hour so I sat down and wrote a little bit.' I just need a real big chunk of time to sit down and focus. That's my process.
Doesn't matter whether it's a teen girl who's pregnant, hasn't told her parents, or an elderly couple dealing with one of them being diagnosed with Alzheimer's. Those are real people to me. Those are the people I dealt with every single day.
For years, I had a top secret clearance and never left Russia. Just once did I go to Bulgaria with my wife for a holiday at the Golden Sands resort, but I could not mention my real name. I was allowed to travel abroad only in the early 1990s.
I'm real. I believe what I'm saying. If Motel 6 wasn't the type of operation they say it is - and I stay at them when I travel - I wouldn't do their commercials. That comes through on the radio, and that's what it's all about.
Institutions develop because people put a lot of trust in them, they meet real needs, they represent important aspirations, whether it's monasteries, media, or banks, people begin by trusting these institutions, and gradually the suspicion develops t...
I often think about image, and image is something that - but in truth, the real artistic process, as I've understood it, is 95 percent intuitive, like seat-of-the-pants, at-the-moment decisions that you can't even explain, you know?
Jean-Louis Gaudet: Are you a real cowboy? Tex Panthollow: Sure am, kid. Jean-Louis Gaudet: So where's your gun? [Tex takes out his gun and twirls it] Leopold Gideon: Will you put that thing away!
[last lines] Sarah: [voiceover] If the people we love are stolen from us, the way to have them live on is to never stop loving them. Buildings burn, people die, but real love is forever.
Dola: [escorting Sheeta toward the galley] Gotta start talkin' like a real pirate! Sheeta: [nervously] I've been practicing! Um... Harrrrr, matey! Shiver me timbers! Dola: [not impressed] Keep practicing...
Ralphie as Adult: [narrating] The old man stood there, quivering with fury, stammering as he tried to come up with a real crusher. All he got out was... The Old Man: Naddafinga!
[watching news of Lau's capture on the television] The Chechen: Put word out, we hire the clown. [the other mobsters look doubtful] The Chechen: He was right. We have to fix real problem: Batman.
Captain Yardley: I never liked you. You know why? You don't curse. I don't trust a man who doesn't curse. Not a "fuck" or a "shit" in all these years. Real men curse.
Ferris: Look, it's real simple. Whatever mileage we put on, we'll take off. Cameron: How? Ferris: We'll drive home backwards.
Jerry Lundegaard: [Jerry and Wade discuss business opportunity] This could work out real good for me and Jean and Scotty. Wade Gustafson: [coldly] Jean and Scotty never have to worry.
Wardaddy: I know what I did. He's an SS. They're real assholes. I kill every SS I can. You'd seen what I seen you would too.
Tuddy Cicero: [as Paulie is being arrested] Why don't you boys go down to Wall Street and find some real crooks? Whoever sold you those suits had a wonderful sense of humor.
[first title card] Title Card: This is a true story. Although the characters are composites of real men, and time and place have been compressed, every detail of the escape is the way it really happened.
Winston Zeddemore: I'm Winston Zeddmore, Your Honor. I've only been with the company for a couple of weeks, but these things are real. Since I joined these men, I've seen shit that'll turn you white.
Senator Pat Geary: [as they're watching the performer at the sex club] Freddie, that thing can't be real. Fredo Corleone: Sure it is. That's why they call him Superman.
Paul Edgecomb: I've done some things in my life I'm not proud of, but this is the first time I've ever felt in real danger of hell.
