I think, at the end of the day, age is just a number. It's like, in real life, I've got friends who are dating someone their age or dating someone who's twice their age, and they're equally in love.
Virtually every real breakthrough in technology had a bubble which burst, left a lot of people broke who'd invested in it, but also left the infrastructure for this next golden age, effectively.
I just kept it real and had the freedom to do what I want. It's not designed for any age group. It's not made for radio. There are no edits. The whole album contains explicit lyrics but that's because you need it.
It's almost like these games are the modern day comic books, especially when you play Alone in the Dark. There's a real story that goes along with it and a movie seemed like the right kind of transition to make.
Our public schools arbitrarily define science as explaining the world by natural processes alone. In essence, a religion of naturalism is being imposed on millions of students. They need to be taught the real nature of science, including its limitati...
The music industry is a strange combination of having real and intangible assets: pop bands are brand names in themselves, and at a given stage in their careers their name alone can practically gaurantee hit records.
I'm lucky that my real-life Mom has both a great sense of humor about herself and an amazing ability to slip into complete denial if the subject matter gets a little too close to home.
'Forensic Files' is amazing! I love it! There were marathons happening all the time in college. That show, because it's always on at night, was always better than any scary movie I could put on, because it was 'real.'
The real art is not to come up with extraordinary clever words but to make ordinary simple words do extraordinary things. To use the language that we all use and to make amazing things occur.
I think Damien Hirst is hilarious. And I think he's a true artist. He's not hilarious first; I think he is a real artist, and I also think he's got an amazing sense of humor.
Food makes travel so exceptional, because you get to taste what it's actually supposed to taste like. To eat the real Pad Thai or finally have a proper curry is something pretty amazing.
I find the aristocratic parts of London so unattractive and angular; the architecture is so white and gated. But in New York, it's different - even uptown it's really grand, and there's no real segregation there. It's all mixed up.
I would begin by collecting lithographs and etchings. It's a way of coming in and benefiting from real quality art. Even younger artists make wonderful prints. Prints can become very valuable. That's how I began collecting.
Jazz vision is the fusion of music and art a real paradox of same-yet different. Here we play in exchanges, like the hardness of the key of c# major and from the softness of Db major - capturing, reflecting and improvising.
If you judge everything by how photographically real it looks, then you're missing out on a lot of what art is about and what communication is. There are ambiguities in life, and that should be reflected in art, cinema, and storytelling, I think.
I'm not such an artist type that I can't handle the real world. I read the financial pages, because most people don't talk about art.
I'm not dead and I don't have blue hair but some people say there are similarities. It is usually intolerable to watch myself onscreen but this time it's fine. I think it's beautiful and a real work of art.
Up until the last minute, it was art and drawing for me. That was the first real and natural thing I thought I was good at and loved to do. But I developed a similar kind of love for music.
But I'm interested in the Barnes Collection in Philadelphia. I hear there are some of the worst Matisses there. I like seeing bad art by good artists. It's inspiring. I'm able to identify with them. It makes them real.
Whether it be in comics, games or film, you can trace the art direction and influences back to some earlier, real-life historic period or artistic movement.
I didn't have any real art training, but when I was about twelve nad thirteen, another boy and I went to a sign painter's house every Friday night and took lessons.