Another little known fact about Amazing Tennis - the computer opponents are modeled after real people. In an odd turn of events, I joined a division 3 college tennis team at age 38.
In this age of globalization, instant real time media and television, everyone all over the world realizes that high energy usage equates with a high standard of living and wealth.
I've had watermelon hair where I had pink with green tips. From the age of 13 to about 19 or 20, I never had my real hair color.
One thing, however, is sure, - that in all cases the effort should be to impose all the cost of repairing the wrong upon the doer of the wrong. This alone is real justice, and of course such justice is necessarily free.
You would hardly believe how difficult it is to place a figure alone on a canvas, and to concentrate all the interest on this single and universal figure and still keep it living and real.
Music was like my first real toy. I was an only child for a while, and I was alone a lot of the time - and I liked it. I still like being alone.
Looking back on those games, I probably hustled out of position as much as I hustled into position since I really never had any real training. I was working on instincts alone.
Thus, the poet's word is beginning to strike forcefully upon the hearts of all men, while absolute men of letters think that they alone live in the real world.
I had very strong feelings, so the chance to make a film that deals in an imaginative way with stuff you care tremendously about is a real high. It's a really amazing thing to be able to do.
'Kit Kittredge' was an amazing experience because I got to go to Canada, and it was my first 'era' film, so I got to wear the 1930s clothes, the real vintage clothes.
The real amazing thing about all of this is I think I've maintained the mentality of a musician throughout it all, which I'm proudest of. And I'm still playing on people's records and singing on people's records.
Although you may spend your life killing, You will not exhaust all your foes. But if you quell your own anger, your real enemy will be slain.
There is something about seeing real people on a stage that makes a bad play more intimately, more personally offensive than any other art form.
I like to mix pieces in my art direction from the '60s or the '40s and the '90s and present-day stuff. To me, that feels very real. When I go into people's houses, it's not all today.
There's an axiom I live by: 'There is no art without politics.' You either choose to engage it, or you choose political apathy. This ties in with ideas around real-time performance and feedback.
Anything that had to do with art I been doing all my life. It was a gift. It's nothing I work real hard at doing.
Myth and fairy-story must, as all art, reflect and contain in solution elements of moral and religious truth (or error), but not explicit, not in the known form of the primary 'real' world.
I really think that's what music and art is about. It's another way to connect to the divine. It's a real pure way of touching that deeper reality beneath our life.
I am a real person that cares about his art and cares about what he's doing - I have a heart and a soul and want to touch people and give.
I loved comedy all my life. I think it's a real powerful art form.
I think if something's emotionally real - and I'm not even talking about in movies or in art, but in life - you can't really argue with that, even if your intellectual mind might know differently.
