Anyone who knows me knows that I am really into hair. I'm a real girly girl and love doing my hair and experimenting with different styles.
To me, the real thrill is in making the music, and then I just trust it to find its own audience, and at times it's big and at times it's small, but that's beyond my control.
It takes a real soldier to stay in the music industry and live off the things that have been put before me and be able to survive all this time because it has not been easy.
My real interest in music was the old 78 records and the sound of the music. I loved it and began to realize that one of the main sounds on those old records I loved was the guitar.
'Vagabond' is about owning where I come from, understanding the real power music had to transport myself with, whether that's busking in Europe or getting number ones.
I write to music, and Nina Simone is always on my playlist to write to. I mean, she's inspiring. She's truthful and real and raw.
It's no longer unusual for real avant-garde composers to have been in a band, and for bands to be interested in a wide range of music. Look at how artists like Aphex Twin are influenced by Nancarrow and Stockhausen.
When I was little and I was introduced to Led Zeppelin, I didn't know what a zeppelin was or who Zeppelin was or what the machine was. The real meaning is whatever feelings and memories you attach to the music.
No other human being, no woman, no poem or music, book or painting can replace alcohol in its power to give man the illusion of real creation.
I came up during that time when music, to me, was really music. It wasn't about talking about a woman and calling them a derogatory name or something like that. It was real music.
They were looking for actors - real actors - who could play instruments. There was a lot of improvisation and scene work involved in addition to the music. The auditions went on for a long time.
I have so many opinions about everything it just comes out during my music. It's a battle for me. I try not to be preachy. That's a real danger.
Even the most jingoistic person would have to admit that even American cultural music comes from Europe. That's what classical music is, real European music.
Women were real box office stars in the '40s, more so than men. People loved to see women's films. I think it was better then, except for the studio system.
Because women still earn just 77 cents for every dollar men make. Those pennies add up to real money.
Video games are a waste of time for men with nothing else to do. Real brains don't do that.
And I really do think that the difficulty of research makes it more real to you than punching a thing to find out how many men were killed at this particular action.
Real men study law and engineering, while ideas and values are for sissies. The humanities should constitute the core of any university worth the name.
The real menace in dealing with a five-year-old is that in no time at all you begin to sound like a five-year-old.
As a kid, I said, 'I want to write for movies.' When I finally had that opportunity it was like I was able to exhale. 'Wow, I'm finally doing this for real.'
I used to look at horror movies as being really real and it would totally freak me out and give me nightmares. Now I watch and think, 'whoa how'd they do that?'
