Back in East St. Louis, tennis wasn't the real thing. If you weren't playing baseball, basketball, football, you were kind of on the outside.
The issue in Web accessibility is the fact that blind and visually-impaired people need the single biggest boost to achieve equivalence, since the real-world Web is a visual medium.
Pretty much my feel toward MCs is, if you really got heart, you got passion, let's get on and do something. I like doing stuff with people that's real.
All your doing is keeping wayward teenage punks off the street. You should leave the real investigative work to us big girls with the pens and paper.
I like stories with a collision of disparate tones. Look at 'Shameless' or 'House of Lies'. They go from big, silly, and comedic to very real dramatic moments in the wink of an eye.
I have a ranch in Montana, but it's not a real working ranch. I've always liked the outdoors. I come from Texas. My grandfather was a farmer; that's as close as I come.
I thinned them out real thin once and it just didn't look like me. I know it was in style to have really thin eyebrows, but it didn't look right on my face.
That's when I feel really excited about a painting. When it starts to feel real, when it feels like it has a personality.
When I was 16, I made some little 35mm documentaries about the poor in London. I went round Notting Hill, which was a real slum in the 1950s, shooting film.
The point, as I emphasize in the book, is not for players to become professionals, but rather to have innovative and creative ways of thinking about real problems as part of their intellectual toolkit.
Simply put: Epistemic games recreate in game form the things that people do in the real world to learn to think in innovative and creative ways about problems that matter.
TV's 'real' agenda is to be 'liked,' because if you like what you're seeing, you'll stay tuned. TV is completely unabashed about this; it's its sole raison.
Look, we are a rock group. But you should see all those things in perspective. People tend to blow up everything into ridiculous proportions. And then the fun is gone real soon.
Tim Robbins had real confidence in college. He literally stole actors from the theater department at UCLA to be in his plays. The department heads got so mad at him.
In Hollywood there's no real material. They would send me stuff, but I hadn't even seen the director. If I don't see the director's eyes, I'm not going. I'm not even going to pack my bags.
Do not think too much of the dead husk of your friend, or mourn too much over it, but send your thoughts out towards the real soul or self which has escaped - to reach it.
An interesting thing about New Zealand, you know, literature is that it really didn't begin in any real sense until the 20th century.
Imaginary pains are by far the most real we suffer, since we feel a constant need for them and invent them because there is no way of doing without them.
Will you miss him Holly?” he asked suddenly. [...] “No,” she said. “I will not miss him.” But her eyes told the real story.
There were speeches made in Congress in the very last session before the outbreak of the Rebellion, so ferocious as to show that their authors were under the influence of a real frenzy.
The worst thing to me would be that you put on the face you think people want to see, and then they don't like it and you think, Would they have liked the real me?
