If you want to make someone feel emotion, you have to make them let go. Listening to something is an act of surrender.
I am not fearless. I get scared plenty. But I have also learned how to channel that emotion to sharpen me.
I don't care if you are religious or not and I think the message is that at the end of the day, everybody has to mature and everybody has to heal and mend their own injuries, emotional injuries, on their own pace.
I write about moments, and I don't make blanket statements about anything because no one has all the answers; nobody's come up with a foolproof way to do anything when it comes to emotions.
Surprisingly, it is often when wandering through the emotional carnage left by the worst of humankind that we find the best of humanity ad well.
When the intensity of emotional conviction subsides, a man who is in the habit of reasoning will search for logical grounds in favour of the belief which he finds in himself.
Writing 'Schottenfreude' has reinforced the fact that there are few, if any, emotions that have not been experienced, and analyzed, by some of the world's greatest writers.
If I had one piece of advice to tell an entrepreneur, I always say, 'You have to have emotional investment in what you're working on.' That's what we lacked at Odeo.
I still connect with original emotions. 'Night Moves' was written about 1961 or 1962 when I was in high school, and it was about what my friends and I did in that period.
As a guitar player, you can gravitate to the blues because you can play it easily. It's not a style that's difficult to pick up. It's purely emotive and dead easy to get a start with.
Aspirations don’t make poets, perseverance does. Flow with the emotions, let your imagination soar, find what ignites the fire within and let it go wild.
In the glory which overhangs Palestine afar off, we imagine emotions which never come, when we tread the soil and walk over the hallowed sites.
I think, you know, when you're a teenager, sometimes your emotions are a little bit more drastic than maybe when you're in your 20s. You sort of level out a little bit.
I don't like to get scared - it's not one of the emotions I enjoy. So I have to assume that if there are scary things in my books, they aren't very scary.
If I ever had any vanity, then I definitely lost it by being on television. It doesn't do you any favours in terms of showing you what you look like and what your emotions are.
I began to think that there was a place for 'Footloose' to get retold again, that there was actually a more conducive political climate, an emotional climate to explore a town that has experienced a trauma and a shock, and starts overreacting.
Full of intrigue, tangled pasts, and raw emotions, [Gambling On A Secret by Sara Walter Ellwood] is guaranteed to keep you turning pages from start to finish and then wishing for one more chapter!
It's wonderful to move forward technologically, but we cannot forget that we are human beings who thrive on relationships, who thrive on interconnectivity, who thrive on sharing your feelings and emotions.
I can remember feeling very angry, and saying no! I can do it myself! From that point of view it was very emotional for me to get myself to the point to sit in the chair and be 'up'.
It's easier when you play. You get your emotion out. You scream. You yell. You do whatever you want. You play. But it's tough to sit.
It's the emotional trigger points that are important to me because I know if I could believe in the characters and try and imagine how they felt then I'd be able to do something quite honest.
