'The Sopranos' gets praised as novelistic, but it follows the most banal of life patterns, showing the sheer tedium of being a mobster. It has dead spots, boring plotlines, weak episodes. Characters develop slowly, or don't. Like viewers, a gangster ...
I've read crime fiction all my life. A thing that's bothered me about crime fiction is that it's generally about one or two people, but there's not much about society. I want to get away from that particular pattern: a lead, a supporting role and bac...
I take my craft seriously, of course, but I don't feel the need to always play a certain character or a certain part or persona. I'm not going to cut something out of my life because it's not 'my image.' I want to be open enough that if I love someth...
Bad things do happen; how I respond to them defines my character and the quality of my life. I can choose to sit in perpetual sadness, immobilized by the gravity of my loss, or I can choose to rise from the pain and treasure the most precious gift I ...
Because I never plan anything out ahead of time, I'm always in the process of learning about my characters. Without a biographical sketch to guide me, I discover things about my heroines as the stories unfold. Only in 'Body Double' did I discover tha...
I do what I can, but I'll always give it a shot. You're not going to see me playing a Welsh character any time soon, not because I wouldn't love to. I went up to Wales once and read for a film with Rhys Ifans, and haven't been asked back since. We di...
I'm quite sure Shakespeare enjoyed writing Iago much more than he did writing Othello. If you write about someone you love, what the hell are you supposed to say about that person? It's much better to have something between you and your main characte...
I feel like because I've done more gay characters, gay scenes, or gay projects than most straight actors, people see it as some sort of mission. It's more of a case-by-case basis, and just trying to capture figures that I love. I guess that a lot of ...
In the time between when you first read a script and are offered the role and the time when you begin to shoot, I really love putting in the time and work on that and getting a solid backstory to a character and researching all that I can about what ...
I write as if I were drunk. It is a process of intuition rather than placing myself above my story like a puppeteer pulling strings. For me, it's a scary, chaotic process over which I have little control. Words demand other words, characters resist m...
When Shakespeare wrote, he wrote for the people. I know he got commissioned by kings and queens, but he also actually was writing plays for people to go and see, to take them on a journey of recognition so that they could see themselves within the ch...
I did not have a mobile phone in 1993. No one did, except the occasional banker or Hollywood star seeming smart, or the main character in 'American Psycho.' In 1993, every day was 'let's get lost.' I could walk Greenwich Village for hours and not be ...
It was only after university that I said to myself that I had to take the risk and have a serious go at acting. It's such a bizarre profession, because you have to be totally tough to deal with all those times when you're being turned down, and then ...
Usually I like playing other people. I like finding myself through other characters. But when you do cabaret, you are yourself. I think it's the most fun, and I tell you, if somebody had told me that, I would have done it fifteen years earlier than I...
The Swords were still interesting but by then a cast of characters had started to appear and go on from book to book, and other things about the world began to feel constricting. And there were other things I wanted to do, so I closed the series up a...
Every American autobiography, someone once said, is about one thing—escape. Look into the frightened heart of an American life, and you’ll find a compulsion to flee—a seed planted in the national character at the start by those ships sailing ou...
That's part of what always fascinated me about the Flash. Yes, he had superpowers, but he wasn't superhuman. He was vulnerable. He could be hurt or killed. He's not getting in a jet. He actually is the jet. So he had this gift, but with it came this ...
The people I've respected most in the industry over the years - Paul Newman, for instance. I just loved the way he handled growing old on-screen. It's understanding that you're now basically a character actor. Which is fine, but you have to pay atten...
It's kind of my whole philosophy as an actor. I think that's what we're supposed to do is play a wide range of characters - or it's just what I like to do, I should say. I like to try to be as different as I can from one thing to the next.
I think I enjoy working obviously as a lead, but also you know I feel I'm also a character actor as well, so I enjoy approaching various projects in all sort of capacities. Any film I have been able to do I feel very fortunate to have been a part of.
I do this acting thing mostly for myself. I like to make a connection and communicate with the audience to make myself feel less lonely. I also do it to develop my own character, so sometimes I do it to just be away in a certain area that I've never ...
