My mom says: 'Why aren't you a doctor?' and I'm like, 'I am a doctor!' and she's all, 'No, I mean a real doctor.' She reads my books, but she says they give her a headache.
It's quite hard to have your mom as a teacher - it's like, she's not necessarily a 'real teacher' for me. But she'd always teach me to really hear the music, and develop my ear, and to try and hear the harmonics of the piano.
I know that I'm getting the real deal with my mom. I know that she's telling it like it is. She's proud of me when I've earned it and she's disappointed in me when I've earn that. She's really my spectrum on where I am as a person.
The real act of marriage takes place in the heart, not in the ballroom or church or synagogue. It's a choice you make - not just on your wedding day, but over and over again - and that choice is reflected in the way you treat your husband or wife.
I can't imagine having a real personal thing, like divorce and marriage, all those things, being in the public eye. I try to not talk about anything personal, and then nobody has the fire to throw back at you, like 'You said this back then!'
Even the very youngest children already are perfectly able to discriminate between the imaginary and the real, whether in books or movies or in their own pretend play. Children with the most elaborate and beloved imaginary friends will gently remind ...
Clint Eastwood. Here's a guy who's been involved in so many movies, lots of them masterpieces, and now he's a director. I just like everything I know about him. He's very decisive, he makes up his mind real quick.
'That's What She Said' is not Hollywood's standard picture of women: preternaturally gorgeous, wedding obsessed, boy crazy, fashion focused, sexed up 'girl' women. These are real women, comically portrayed, who are trying to wrestle with the very exp...
What we're supposed to do as actors is be able to portray real human beings and emotions. And if you grow up in this bubble of showbiz and you only know people who make movies, you don't really have an understanding of the world outside.
If you're not a real chameleon of an actor and if you're not one of those guys who can really shape-change themselves all the time, one of the ways to keep pushing yourself and keep changing is to be in different kinds of movies.
Of course, the whole Andy Kaufman angle was classic. I'm real proud of that. I mean that is something people are still talking about 20 years later, making movies about and that sort of thing. I mean not a day goes by that someone doesn't mention And...
Felicia: [to Tick, about Bernadette] Hey, can you confirm a rumor for me? Is it true that her real name is Ralph?
Felicia: There goes the transsexual, last seen heading south. We called her Bernie, but her real name was... Tick: Adam?
Newt: My mommy always said there were no monsters - no real ones - but there are. Ripley: Yes, there are, aren't there? Newt: Why do they tell little kids that? Ripley: Most of the time it's true.
Ultron: You know what's in that cradle? The power to make real change, and that terrifies you. Steve Rogers: I wouldn't call it a comfort.
Broadway Lady: [sees Riggan on the roof] Hey, is this for real, or are you shooting a film? Riggan: A film! Broadway Lady: You people are full of shit!
Maude Lebowski: Now, what happened to your face? Did Jackie Treehorn do that as well? The Dude: Ah, no that was the chief of police of Malibu. A real reactionary.
Rocco: That was funny, wasn't it? That was real fucking funny, huh? Huh? Bartender: Not me! Not me! Rocco: [shoots him] It was FUNNY! FUNNY! FUNNY! FUNNY! [gun clicks empty]
It's obvious we can't all be a Gully Foyle, but most of us energize at such a low level, so far short of our real capabilities, we could all be more, do more.
Seriously. I'm not very bright, and it takes a lot for me to get a concept - to really get a concept. To get it enough that it becomes part of me. But when it happens I get real excited about it.
Most people, even among those who know Shakespeare well and come into real contact with his mind, are inclined to isolate and exaggerate some one aspect of the tragic fact.
