Sometimes I want to be on 'The Real Housewives of New York.' I want to remind them to figure out how to get along and support each other.
I really became convinced I wanted to tell the story of the real-life model for the Degas sculpture 'Little Dancer Aged 14,' which was unveiled in 1881, the Belle Epoque.
I, of course, wanted to play real jazz. When we played pop tunes, and naturally we had to, I wanted those pops to kick! Not loud and fast, understand, but smoothly and with a definite punch.
The real technical problems came because people working on the project didn't really follow my proposal at all, but set out to do other things instead of making a laser.
While one should never underestimate the ability of risk-besotted financiers to wreak havoc, the real threat to capitalism isn't unfettered financial cunning. It is, instead, the unwillingness of executives to confront the changing expectations of th...
This country would be a better place to live in if all the resources we currently put toward criminalizing marijuana were instead spent by law enforcement on protection from real crime, as opposed to victimless crime.
Some people experience rare moments when everything they believe is challenged. Or at least shaken up. Those moments stay with them. Surprise, real surprise, is an exotic thing not soon forgotten.
A poet, any real poet, is simply an alchemist who transmutes his cynicism regarding human beings into an optimism regarding the moon, the stars, the heavens, and the flowers, to say nothing of the spring, love, and dogs.
If we limit our vision to the real world, we will forever be fighting on the minus side of things, working only too make our photographs equal to what we see out there, but no better.
'Flying Down to Rio' established RKO as a leader in musical film production throughout the 1930s. The film helped to rescue the studio from its financial straits and it gave a real boost to my movie career.
I don't have a real plan when I do an interview. I have some themes that I want to hit. But I don't have a set list of questions that I knock off.
My real self, the self I have always been from a child, is a loner and nerd, slightly overweight, with a very heavy fringe. That is who I was as a kid. I don't think I will ever be anything other than that.
I skipped kindergarten because I was reading at a pretty high level. That's a weird and cocky thing to say, but I was real sharp, and I knew that early on.
The thing about our country, Americans, and New Yorkers in particular, we all want to help. There's real folks who want to help. The problem is, they don't know how. They don't know how to get involved.
It's odd, that's why I don't like telling people I played field hockey. It's real big in Australia for guys. But I say I played in America, and everybody goes, 'Oh, you girl!'
Never forget, the real secret of giving advice is this: Once you've given it, don't concern yourself with whether it is followed or not, and refrain from saying 'I told you so.'
Whenever you're going to play a real person, you run the risk of well, everybody in the world kind of has an image of what that person is and who he should be and so you really have to do your homework.
We absolutely believed in Heaven and Hell, Purgatory, and even Limbo. I mean, they were actually closer to us than Australia or Canada, that they were real places.
And because performing for a game involves real acting. The way they create a game is very similar now to how they create a film. I've always wanted to stretch my acting skills, and the timing being what it is, I couldn't say no.
Do you know something? The minute that blood sacrifice was accepted, Jesus was the first human being that was ever born again. Now that was real - it happened when he was in Hell.
I learned that adults were not soaring gods, but rather back-yard birds with broken wingtips. When you are thirteen, about to free-fall into the real world, discovering the broken wingtips is terrifying.
