I remember, when we started 'Leverage,' we were all in Chicago, and I read the script for the pilot and thought, 'Boy, this is just a real interesting place to begin a character.' I had to figure out how to go about playing someone who had hit rock b...
I try to write characters that are as real, emotionally and psychologically, as I can make them; I feel the same way about setting. This often means that I'm drawing from my experiences and observations.
I feel like there are things I can relate to in every character. But I feel like when you read a script, you don't get to see the definition behind someone, you just get to read what the person goes through and find a place to come from to make it re...
I plot the first 5 or 6 chapters quite minutely, and also the end. So I know where I am going but not how I'm going to get there, which gives characters the chance to develop organically, as happens in real life as you get to know a person.
In my stories, I controlled what happened in a way I couldn't in real life. My characters lived through the horror and degradation of the cruelty of others and they not only survived, they thrived. They gave me hope and laughter, and they kept me goi...
I love to have real people of history interact with my fictional characters. History gives me the plot. I research the period meticulously, and then I blend in a romantic and sensual love story to give it balance. The heavier the history, the more ro...
People were fed up with reality shows about midgets getting married and weird Jerry Springer talk shows. There had been a real dry spell of intelligent family-oriented viewing: the type of program that Mom, Dad and the kids can all watch together. Wi...
I did a great deal of research to write 'The Irish Duke.' Since all the people in this Lords of the Realm series are real historical characters, everything had to be authentic. I researched Woburn Abbey, where my heroine lived, and everything about B...
What does it say about a president's policies when he has to use a cartoon character rather than real people to justify his record? What does it say about the fiction of old liberalism to insist that good jobs and good schools and good wages will res...
I have a new show now called 'The Bridge,' where I play a guy who's a real-life guy. My character's based on the life of a guy named Craig Bromell who was a cop for 12 years and then became head of the police association, so basically the president o...
We learn our virtues from our friends who love us; our faults from the enemy who hates us. We cannot easily discover our real character from a friend. He is a mirror, on which the warmth of our breath impedes the clearness of the reflection.
I always think of the character as being me. But me wearing a 'coat', which may be a different way of speaking, moving or regarding other people. To me, acting is pretending, just like kids playing, only you pretend as if it were really, really real.
Basically you come up with the fictional idea and you start writing that story, but then in order to write it and to make it seem real, you sometimes put your own memories in. Even if it's a character that's very different from you.
Real Harvey: [introducing on-screen character] Here's our man. Yeah, all right. Here's me. Well, the guy playin' me anyway. Even though he don't look nothin' like me. But, whatever.
I think you have to be crazy not to want to work on the Joker! I can't think of many characters, heroes or villains, that are as malleable as him. He really can be interpreted in so many different ways, and generally, people don't really want to scra...
I stress character, character, character.
All we have is the story we tell. Everything we do, every decision we make, our strength, weakness, motivation, history, and character-what we believe-none of it is real; it's all part of the story we tell.
Accountability and self-responsibility are critical to our success in personal, professional and public life. However, we often look for those character traits in others, rather than inculcating them in ourselves.
Drudgery is one of the finest touchstones of character there is. Drudgery is work that is very far removed from anything to do with the ideal - the utterly mean grubby things; and when we come in contact with them we know instantly whether or not we ...
I grew up writing thank-you notes. Real, honest-to-goodness, pen-and-ink, stamped and posted letters. More than simple habit, it's about what the commitment to expressing your thoughts and feelings in writing says about the character of the writer. A...
It's the only way I really know how to tell the story is to be able to kind of live through the characters. So when I find something that resonates with me, it's usually because it cuts to something very real inside of me; something that I've gone th...
