I have made a career of creating characters who fight school authority and chomp at the bit to get out into the 'real' world and live their lives, mostly because that's the kind of teenager I was.
Usually I'm frustrated when I look at my films and I don't believe that I've made a real transformation beyond my usual sets of gestures and expressions. I still have this nagging feeling that it's me, that I didn't create a unique character.
If you're doing a large, complicated character with radio controls, it might take a number of people several months to make it and if you're talking about a quick little hand puppet, it could be made in 2 days, so there's enormous range there, and no...
We had this party in New York, and there were a lot of gay men there dressed up as the characters. I showed up just looking like myself, but it was a real case of shame. They looked so fantastic. We could never quite live up to it.
Most of the time, when I'm writing, I'm writing for myself. I'm thinking, 'What will my character say at this time? What will come out of her mouth?' I create individuals so real to me, I sometimes start talking to them. Then I let them loose on the ...
[first title card] Title Card: This is a true story. Although the characters are composites of real men, and time and place have been compressed, every detail of the escape is the way it really happened.
Donald Gennaro: [looking at the Jurassic Park technicians] This is overwhelming, John. Are these characters auto-erotica? John Hammond: No,no,no we have no animatronics here. Those people are the real miracle workers of Jurassic Park.
Like, on the 'Parks And Rec' set, I still feel like I'm a guest star. Being a fan of the show, it's really surreal to be on the set and see that it's not real, and getting to know the actors and they're not their characters.
Originally, I thought, 'Gollum's such a fantastic character, why are you doing him CG? Surely you need to be able to humanise him as much as possible - he's so full of pathos and real emotion.'
Each story presents a mystery that has to be solved in the process of writing. When I'm at work on a story, I'm completely immersed in that world and in the lives of those characters; they're utterly real to me. Then, when I've completed the story, i...
The flimsy little protestations that mark the front gate of every novel, the solemn statements that any resemblance to real persons living or dead is entirely coincidental, are fraudulent every time. A writer has no other material to make his people ...
Real Harvey: [the real Harvey Pekar introduces his on-screen character] OK. This guy here, he's our man, all grown up and going nowhere. Although he's a pretty scholarly cat, he never got much of a formal education. For the most part, he's lived in s...
I like movies that are about real people in real time with real problems.
Ugliness with a good character is better than beauty.
I felt ashamed for having judged him so harshly without knowing the real boy. His one offense against me―goaded by Charlie’s bullying character―was easy to forgive.
Speak well to people; tell them the truth today! If you meet them another day, tell them the same truth! That shows how you can maintain the real character you poses!
There's barely a strand of the modern media that the Kardashian-Wests haven't been able to master, and for good reason: Kanye is an amazing performer and cultural provocateur, while Kim, through her strength of character, has created a place for hers...
It is difficult when reading the description of certain fictional characters not at the same time to imagine the real-life acquaintances who they most closely, if often unexpectedly, resemble.
When writing about historical characters I try to be as accurate as possible, and in particular not to misrepresent the view they held. With a real historical figure you have to be fair, and this is not an obligation you have in dealing with your own...
Martial (the main character of LOCUS SOLUS) has a very interesting conception of literary beauty: the work must contain nothing real, no observations about the world or the mind, nothing but completely imaginary constructions. These are in themselves...
Seriously, a thirty-something woman shouldn't be daydreaming about a fictional character in a two-hundred-year-old world to the point where it interfered with her very real and much more important life and relationships. Of course she shouldn't.
