It was just a typical London flat, but it was in a great neighborhood. It was across from the Playboy Club, diagonally. From one balcony you could read the time from Big Ben, and from the other balcony you could watch the bunnies go up and down.
When I read 'Rocky V,' it was a terrific story, a great script. Rocky died at the end. He has this devastating fight with Tommy Gunn, ends up in an ambulance with his head in Adrian's lap, and by the time they get to the hospital, he's dead.
When I got married, the Sun ran the headline: 'Here comes the bride, all fat and wide.' Luckily, it was a few days after the wedding - but it was still hideous to read at a great romantic moment.
I lived in a region in the northwestern province - the people there in general have a great love for the Taliban, so I started to read some of the literature of the scholars and the history of the movement. And my heart became attached to them.
My influence is probably more from American crime writers than any Europeans. And I hardly read any Scandinavian crime before I started writing myself. I wasn't a great crime reader to begin with.
One day, I just got up to read a poem and started singing. I looked around - the reaction was great. And I said, 'Oh, boy. I like this.'
I never wanted to become an actress because I'd read great literature or seen great Shakespeare. It was more just wanting to understand what the people were really like, why they said all the strange things they did.
When I read Thirteen Days I was moved by it. It was just a great time for the world, in terms of looking back in history and seeing how we got ourselves into trouble and how we got ourselves out of trouble.
The guys in my band are great-we watch movies, we eat pizza, take walks, read books. Everybody has a really great sense of humor. And my boyfriend comes and visits me on the road.
Everyone saw me on TV or read articles, and it was all about my great marriage, the white picket fence, all this success and my perfect life. But behind the scenes, it was a struggle.
Nobody, I think, ought to read poetry, or look at pictures or statues, who cannot find a great deal more in them than the poet or artist has actually expressed. Their highest merit is suggestiveness.
TV and film were always governing passions of mine, and that first wave of great HBO shows in the early years of the millennium was feeding my desire for fiction more than the books I was reading.
I have a background in theater. At the time I read 'The Loved Ones' script, I was playing Catherine the Great of Russia onstage. Straight after that, I played Stella in 'A Streetcar Named Desire' and Isabella in 'Measure for Measure.'
I just read 'The Seven Principles for Making Marriage Work.' To be married 25 years, you have to put as much energy as I put into being an actor or being a great football player into being a better husband and a better father.
The only medicine for suffering, crime, and all other woes of mankind, is wisdom. Teach a man to read and write, and you have put into his hands the great keys of the wisdom box. But it is quite another thing to open the box.
If you read about Mussolini or Stalin or some of these other great monsters of history, they were at it all the time, that they were getting up in the morning very early. They were physically very active. They didn't eat lunch.
Generally, if a good script comes in I read it, and if it appeals to me, it appeals to me. And it doesn't have to be anything - it doesn't have to be the main character, it doesn't have to be a huge part. It could be a nice cameo - anything that I th...
I don't want to work just for the sake of working. Generally, if a good script comes in, I read it, and if it appeals to me, it appeals to me. And it doesn't have to be anything - it doesn't have to be the main character; it doesn't have to be a huge...
One goes through school, college, medical school and one's internship learning little or nothing about goodness but a good deal about success.
When I was in New York, a lot of my friends were studying filmmaking and would bring their scripts to me, as I was a good script doctor. I would read their scripts and make corrections to them for $20 per script and was fascinated by films.
I did a weird thing when I was about 24. For four years I had written quite a lot of poetry, and I started reading through it and thought some of it was really good. So I burnt it all.