I felt like challenging myself and challenging my readers with something darker and heavier. I don't know how to explain it, because I'm not a political person. I have two political stories, and that's it: 'Human Diastrophism' and 'Poison River.'
The early readers are in-between books for the kids who aren't ready for novels yet but are done with my picture books. It's really rewarding to think that they can grow up reading my books at all the different levels.
I think some people wished I'd kept myself out of the book. But I kind of insist on it because I want the reader to share my engagement with the material, if you like, not pretend that I'm doing it completely intellectually.
Writers write for one reason: to create an emotion in the reader, to reach across and make them feel something. You want a reaction. Yeah, it's nicer when the reaction is to throw flowers than it is to throw brickbats, but you have to accept both equ...
The novelist in me is probably hiding behind all the stories I write, looking for ways to connect them and continue the conversation with readers. Maybe I'm writing one long narrative, and each book, however different from the last, is just a chapter...
When I work, I'm just translating the world around me in what seems to be straightforward terms. For my readers, this is sometimes a vision that's not familiar. But I'm not trying to manipulate reality. This is just what I see and hear.
Readers have told me that their children have learned to read after years of struggle after starting to read Garfield's comic strip and many people who have moved to the United States have said that they, too, learned English by reading Garfield.
'Drown' was always a hybrid book. It's connected stories - partially a story collection but partially a novel. I always wanted the reader to decide which genre they thought the book belonged to more - story, novel, neither, both.
I really am a believer that 99.99% of all the stories we need, not only as artists but as human beings, not only as writers but as readers, haven't been written yet. Certainly haven't been published yet.
Your protagonist is your reader's portal into the story. The more observant he or she can be, the more vivid will be the world you're creating. They don't have to be super-educated, they just have to be mentally active. Keep them looking, thinking, w...
There are so many people who don't know small towns exist. When I write, I want to give my readers two things: one is a sense of consolation, and two, I want to make them laugh.
I'm looking forward to coming to SleuthFest I've heard so many good things about it from my writer friends. I'm looking forward to seeing my buddies and talking to readers who want to know about the way I work.
I think readers are always patient. Look at the 'Harry Potter' series. Some have given up on this generation of kids as game and TV addicts, but lots of people spend lots of time patiently reading through hundreds of pages of dense prose. I think rea...
I'm writing for my ideal reader, for somebody who's willing to take the time, who's willing to get lost in a new world, who's willing to do their part. But then I have to do my part and give them a sound and a voice that they believe in enough to kee...
This is such a different time, and we are such a different-sized magazine. And yes, today the average reader is older, but we have a wide span of ages. You can enter 'Allure' as a 14-year-old and read about acne, and then in your 60s you can read abo...
Writers begin changing the instant they append 'The End' to a novel. Readers begin changing the moment they encounter that same phrase. And even the novels themselves, through the strange transmutations of time and shifting tastes and mores, exhibit ...
Lorbeer: I only give the food to the women, Mr. Black. Women make the homes, men just make wars... and hooch. Adam was God's first draft - He got it right with Eve. Tell that to your readers, Mr. Black.
Michael Berg: I'm aware I was difficult. I wasn't always open with you. I'm not open with anyone. Julia: I knew you were distant. You know, I always assumed it was my fault. Michael Berg: Julia. How wrong can you be.
Michael: [reading from "Lady Chatterley's Lover"] Hanna Schmitz: This is disgusting. Where did you get this? Michael: I borrowed it from someone at school. Hanna Schmitz: Well, you should be ashamed. [pauses] Hanna Schmitz: Go on.
I wonder if I ever thought of an ideal reader... I guess when I was in my 20s and in New York and maybe even in my early 30s, I would write for my wife Janice... mainly for my poet friends and my wife, who was very smart about poetry.
I didn't want to be a writer, but I became one. And now I have many readers, in many countries. I think that's a miracle. So I think I have to be humble regarding this ability. I'm proud of it and I enjoy it, and it is strange to say it this way, but...
