I sit in my little office and I feel like I've got all my readers staring at me.
I am a passionate reader. New interested books keep adding on my reading list. My wildest dream is to complete reading all the books.
I'd like to thank readers. Every time you open a book, it is a strike against ignorance. Unless you're reading Sarah Palin.
I picked up reading late because I grew up dyslexic. When I went to college, a friend who was a big reader got me started on a number of writers, including Hemingway.
Readers should aspire to what is excellent. They should refuse to read a substitute Bible. They should want a Bible that calls them to their higher selves - or to something higher than their current level of attainment.
Part of me becomes the characters I'm writing about. I think readers feel like they are there, the way I am, as a result.
I want my readers to be disturbed. I want them to ask, 'Could this really happen?' It is my job to think up new possibilities, to stimulate thought.
I have been writing for 50 years and readers still read my first book from when I was in the Marine Corps.
I like the idea of young readers using my stories as a sort of moral gym, where they can flex and develop their newly developed moral muscle.
I've always been interested in setting my stories against a big event, the importance of which my younger readers are slowly becoming aware of as they move into their teens.
I don't know whether a poem has be there to help to develop something. I think it's there for itself, for what the reader finds in it.
Perhaps first and foremost is the challenge of taking what I find as a reader and making it into a poem that, primarily, has to be a plausible poem in English.
Young readers have to be entertained. No child reads fiction because they think it's going to make them a better person.
The one thing you have to do if you write a book is put yourself in someone else's shoes. The reader's shoes. You've got to entertain them.
The headline is the most important element of an ad. It must offer a promise to the reader of a believable benefit. And it must be phrased in a way to give it memory value.
I didn't think much about foreign readers when I began 'Naruto,' but I knew that many of the artists who influenced me had already been accepted overseas.
Horror and supernatural novels give you a lot of what you look for in a crime novel, just with a twist that was very fresh for me as a reader.
Ultimately, in my mind, that's what I'm trying to do with my fiction; I'm trying to transport my reader into a different world.
it's doesn't matter how long you spend the time writing words , the only thing that matter , is for how long your words will have an influence on their reader .
I wanted to portray very, very dark subject matter and a deceptively complex story in the brightest colours and simplest lines possible to leave the readers reeling.
I read the 'Deadpool' series back in the '90s. I'm not, like, a huge comic book reader, per say, though. I'll check out 'Archie' when I'm in the grocery line, but that's about it.
