We must come to the inevitable conclusion that the guerrilla is a social reformer, who takes up arms responding to the angry protests of the people against their oppressors, and who fights to change the social system that keeps all his unarmed brothe...
For Aristotle, it's not enough simply to act in accordance with the reason once in a while. We must cultivate habits of virtue that develop into a firmly established moral character over a lifetime.
Here (in Thomas Aquinas) is the mind that prepared the way for the scientific and industrial revolutions. Here is the mind that was Catholic enough to embrace any good idea, from wherever it came.
Erasmus’s Bible-saturated mind. His was a mind too broad for fundamentalism, which rejects reason, and too honest for intellectualism, which rejects revelation.
A man must have a good deal of vanity who believes, and a good deal of boldness who affirms, that all the doctrines he holds are true, and all he rejects are false.
The writer is editor, marketer, blogger, reader, thinker, designer, publisher, public speaker, budget-maker, contract reader, trouble-shooter, coffee-hound, liver-pickler, shame-farmer, god, devil, gibbering protozoa.
The modern idea of testing a reader's "comprehension," as distinct from something else a reader may be doing, would have seemed an absurdity in 1790 or 1830 or 1860. What else was reading but comprehending?
Texts are not "processed" as much as they are resurrected, and the image of reader and information processor or computer device, which often dominates current discussions of reading, seems less apt than another metaphor: the reader as necromancer.
Why, of course, if the reader were smart enough, he could figure the whole thing through after just the first few pages! But in his heart Arthur knew that his readers didn't really want to win. They wanted to test their wits against the author at ful...
The interplay of the aesthetic with the erotic is complex. The peacock's tail is beautiful to us, sexy to the peahen. Beauty and sexual attractiveness overlap, coincide. They may be deeply related. I think they should not be confused.
MYTH: Beautiful Writing Trumps All REALITY: Storytelling Trumps Beautiful Writing, Every Time
...what draws us into a story and keeps us there is the firing of our dopamine neurons, signaling that intriguing information is on the way.
If I ask you to think about something, you can decide not to. But if I make you feel something? Now I have your attention.
Tis the good reader that makes the good book; in every book he finds passages which seem confidences or asides hidden from all else and unmistakenly meant for his ear; the profit of books is according to the sensibility of the reader; the profoundest...
I think, in a written novel, the way in which you play with the readers' emotion or the way in which you engage the readers' emotions can be very indirect. You could come at it through irony or comedy, etcetera, and you could capture people's sympath...
Texts on a lifeless strings of facts, but the keys to unlocking the character of human beings, people with likes and dislikes, diocese and foibles, errors and convictions. Words have texture and shape, and it is their almost tactile quality that lead...
Readers don't want to read about somebody else having powerful emotions. . . . Readers want to for a few hours, to live an exciting life, to find true love, to face down unimaginable terrors, to solve impossible puzzles, to feel a lightning jolt of a...
When I write, I have a sort of secret kinship of readers in all countries who don't know each other but each of whom, when they read my book, feels at home in it. So I write for those readers. It's almost a sense of writing for a specific person, but...
I remember my fourth grade teacher reading 'Charlotte's Web' and 'Stuart Little' to us - both, of course, by E. B. White. His stories were genuinely funny, thought provoking and full of irony and charm. He didn't condescend to his readers, which was ...
There is nothing like the moment you connect with a reader! Nothing like the response that you get when what you have written touches someone in some way. It's a moment in which your work is almost a co-creation, you and the reader joining forces to ...
I do believe that characters in novels belong to their writers and their readers pretty equally. I've learned a lot of things about the characters I write from people who read about them. Readers expand them in ways I don't think of and take them to ...
