And that's why books are never going to die. It's impossible. It's the only time we really go into the mind of a stranger, and we find our common humanity doing this. So the book doesn't only belong to the writer, it belongs to the reader as well, an...
When I put magic into a book - whether it's a wizard or a crusty old werewolf - I'm asking a reader to swallow a huge leap that is counter to everything he or she knows. An extra big helping of reality makes that leap go down a lot easier.
...hence the very best science fiction ultimately winds up being a collaboration between author and reader, in which both create - and enjoy it; joy is the essential and final ingredient of science fiction, the joy of discovery of newness
I have a certain sensibility that I bring to my writing that comes from knowing two things: what I as a reader like to read, and what as a writer I am capable of. I know my own limits. I know there are things I cannot do.
Fiction writing is art. It therefore, has few mathematical or scientific limits to its evolution. The writer must always push forward, experiment, and strive to reach new levels of storytelling. Good fiction comments on reality, but transports the re...
This is what I have discovered - and it has been a gift in itself - that books live over and over again in different people's minds. That I might mean one thing as I write, but a reader's experiences will take it somewhere else. That is like a conver...
I'm not sure Kinsey has changed in these first twelve books. I think the reader learns more about her, but from Kinsey's perspective, only three years have passed while the rest of us have been getting older at a much faster clip.
All I can guess is that when I write, I forget that it's not real. I'm living the story, and I think people can read that sincerity about the characters. They are real to me while I'm writing them, and I think that makes them real to the readers as w...
Writing is hard work, not magic. It begins with deciding why you are writing and whom you are writing for. What is your intent? What do you want the reader to get out of it? What do you want to get out of it. It's also about making a serious time com...
When a reader falls in love with a book, it leaves its essence inside him, like radioactive fallout in an arable field, and after that there are certain crops that will no longer grow in him, while other, stranger, more fantastic growths may occasion...
In crime books it's possible to chart forensic technology by how well it has to be explained to a reader. In mid-Victorian crime novels fingerprinting has to be explained because it's new. Nowadays it's part of our world and we can simply assume that...
The distinctions of what makes a book one genre or another can sometimes be a bit muddy, but generally it's a matter of projecting who the audience will be, which is a judgment that's based on the subject matter. 'Mainstream' is the cleanest label fo...
I grew up writing thank-you notes. Real, honest-to-goodness, pen-and-ink, stamped and posted letters. More than simple habit, it's about what the commitment to expressing your thoughts and feelings in writing says about the character of the writer. A...
I like to think of what happens to characters in good novels and stories as knots--things keep knotting up. And by the end of the story--readers see an unknotting of sorts. Not what you expect, not the easy answers you get on TV, not wash and wear ph...
'StrengthsFinder 2.0' is an effort to get the core message and language out to a much broader audience. We had no idea how well received the first strengths book would be by general readers - it was oriented more toward managers - or that the energy ...
Life doesn't change when you meet a guy and life doesn't fall apart when you break up with one. We are teaching young female readers the wrong things through books not only expressing this point, but also using these two concepts as turning plot poin...
There are certain things in 'Twilight'... As much as I'm proud of that movie and I do like it, I feel like maybe I brought too much of myself to the character. I feel like I really know Bella now. But most readers feel like they know Bella because it...
I still have a lot of military contacts, and friends and readers who've served or are serving, and they react really strongly to G.I. Joe. I've lost count of the number who've said, 'Oh, I just loved it as a kid. I had all the figures; it really made...
A novel can do something that films and TV usually can't - a glimpse inside the characters' heads. I write very tight third person point of view, so the reader is right behind the eyes of each character, seeing what they see and feeling what they fee...
The most difficult thing about living as a writer is precisely 'having to write.' Pretending to be a writer is easy. Living freely, reading many books, going on frequent trips, cultivating minor eccentricities... but genuinely being a writer is diffi...
Thanks to social media like Facebook, Twitter and Goodreads, I can easily reach out to so many people. Being a writer gives me the added bonus of a targeted audience: readers, who enjoy targeted 'prizes' for participation in fundraisers - books and o...