Many comedic stars have tried to a do a 'Night at the Museum' type film, in which an everyday Joe reacts to insane circumstances. Many flat out failed.
My parents taught me to react quickly when temptation comes and to say 'No!' instantly and emphatically. I recommend that same counsel to you. Avoid temptations.
I'm a fallible human being - but if I were to react to that knowledge with fear/defensiveness then how would I move forward?
To be smart on crime, we should not be in a position of constantly reacting to crime after it happens. We should be looking at preventing crime before it happens.
Changes are inevitable and not always controllable. What can be controlled is how you manage, react to and work through the change process.
I think it's critical in any character you play that it really is about reacting instead of acting. You can always tell when a person is acting.
F.D.R. achieved greatness not by means of imposing his temperament and intellect on the world but by reacting to what the world threw at him.
I think you're a better comedian when you're in the moment and you're kind of reacting to what's happening like a real person instead of doing rote memorization.
How you react doesn’t tell a person about your character, as much as it does your fear or God's fire. Which is it?
You never know until a song comes out and becomes what it becomes, obviously you can't predict how the masses will react.
All forms of power - even based on the consensus of the democratic system - react when they are being attacked, or when those who exercise power become a target.
First I would probably place men at the bottom of the food chain. On a grander scale, I would say they're reacting to change. Feminism has got to be part of that.
Fashion is a tool... to compete in life outside the home. People like you better, without knowing why, because people always react well to a person they like the looks of.
I think I'm actually quite a materialistic person, I value what it takes to make a car or build a nice house. Money does change things, but how it changes people depends on how they react to it.
I really just try to focus on my job, which is to be an actor, and outside that, the cards fall where they may, and on not getting caught up in how people react to certain things. That's a death trap creatively.
I never live in the present. I'd do interviews and people will say, 'Isn't this great?' or 'Can you believe?' And I would react, like, 'No, I can't believe it because I'm not living in this moment.'
I like to rehearse with the actors scenes that are not in the script and will not be in the film because what we're really doing is trying to establish their character, and good acting to me is about reacting.
I'm not a good Samaritan, I'm a businessman... The goal is to read and react. If we sign an artist that has potential for a shelf life way out in the distance, then we'll stay. But if not, then we won't.
Particularly with live TV, I have a really good time reacting in the moment to things that are going on around me. I try to think of the viewers' perspective too.
Ultimately it's a leap of faith and a leap of imagination to put yourself back in time into those conditions and situations and see how you would react.
Most of us have hoped and prayed for something to happen a certain way, but it didn't. And when this happened, we had a choice to make: to react with offense toward God or to trust Him anyway.
