I do know one thing: I wish people were doing more dangerous musicals, more courageous musicals and not just falling into the trap of trying to figure out what the public wants, because you find out that the public very often wants what's good.
School was pretty good about letting me take up music and that's where I had my first musical ideas and first said, 'Yeah, I'm going to be a musician.' I just had to do a quick stop gap in the army first.
Music shouldn't be based around money or politics. Music should be a bunch of people that really do great songs together doing them together for the pursuit of having a good time.
Ask me about the challenge of becoming as good at music as I am at motorsport, and I have to say: my career has been racing, and I don't plan on music becoming my next career.
I don't like music docs, usually. There's nothing to really say. What can you say about music? Normally, you can't say too much. There are a few really good ones, but the majorities are boring, I think.
The way the music comes to you starts to affect how you listen to music. When you're a kid, it's 'Does it rock? Does it make me feel good? Does it make me tap my feet? Does it make me go to sleep?'
John Lennon was a musical genius. All I have to do is think of some of his songs and even the titles make me feel good... and I'm not the only one. His music has crossed cultures and even generations.
I had some good teachers. One of the greatest teachers I've had is bluegrass music: going back and listening to Bill Monroe's music, the Stanley Brothers, Flatt & Scruggs. When I was with Ralph Stanley I learned a lot from him.
A way to make new music is to imagine looking back at the past from a future and imagine music that could have existed but didn't. Like East African free jazz, which as far as I know does not exist.
If I think about music in the future, I imagine it often as not involving electricity, in some dystopian, post-apocalyptic future. And that's what I get from Penderecki: people making music by taking these instruments out of boxes and playing them. T...
I've always had a sick sense of humor, and I've always wanted that to permeate the music because I don't take myself seriously. I take the music seriously, but I know I'm not God's gift to anyone except my mom.
I have so much music inside me I'm just trying to stay afloat. I don't tend to write for a particular band - you have to just write the songs and then let God into the room and let the music tell you what to do.
It's hard to decide how to match words to music. It's not like it's twice the work. It's always difficult for me to explain to the composer what I'm looking for. I'm not a professional; I lack even basic knowledge about writing music.
Music, especially as an adolescent, helps to build identity because that's when people start developing a sense of self. You can kind of tell based on what music a person listens to what kind of person they'll be pretty much for the rest of their lif...
I took opera lessons. I can't read music to save my life, but I would just copy and get away with it. I think that they thought I could read music, but I can't. I would just listen.
To me, country music's about life. It's about Monday through Friday. It's the blue-collar, 40-hour week, songs about life. It used to have more of a sound, but I think the heart of that's still the same. It's still American music.
Music is either sacred or secular. The sacred agrees with its dignity, and here has its greatest effect on life, an effect that remains the same through all ages and epochs. Secular music should be cheerful throughout.
When I listen to music - I don't particularly do it for fun all that much. It's not a big part of my life, and I'm not really on top of what's happening in the world of music in the way I was when I was a teenager.
Music has brought me some of the highest moments of my life. I don't even hear the music. I don't even hear the notes. I'm not aware that someone has turned on a tape machine - I'm in another world.
I think that creative work, music in particular, is a conveyor of inner emotional life. I don't feel one way all the time, so I don't want my music to feel the same way all the time.
Music would lose its charm were not dissonance interspersed at frequent intervals. The closer a composer can come to discord without actually entering it in the score, the more pleasing will be his composition when given life through musical instrume...
