I was always told you're not going to make much money from writing. You can actually do it. Now I've built a really good, big house out of words.
Suddenly the whole imagination of writing and editorial and newspaper and all these presumptions about who am I reading this, and who else other people may be, and all that, it's so grimly brutal!
You have to imagine it possible before you can see something. You can have the evidence right in front of you, but if you can't imagine something that has never existed before, it's impossible.
I do think of Bombay as my hometown. Those are the streets I walked when I was learning to walk. And it's the place that my imagination has returned to more than anywhere else.
Live-tweeting your bikini wax is not vulnerability. Nor is posting a blow-by-blow of your divorce . That's an attempt to hot-wire connection. But you can't cheat real connection. It's built up slowly. It's about trust and time.
No greater thing is created suddenly, any more than a bunch of grapes or a fig. If you tell me that you desire a fig, I answer you that there must be time. Let it first blossom, then bear fruit, then ripen.
The other aspect of idealism is the one which gives us our notion of the absolute Self. To it the first is only preparatory. This second aspect is the one which from Kant, until the present time, has formed the deeper problem of thought.
Every time we walk along a beach some ancient urge disturbs us so that we find ourselves shedding shoes and garments or scavenging among seaweed and whitened timbers like the homesick refugees of a long war.
Once upon a time, my mother lived in the posh downtown of Homs, Syria. She described my grandfather as a king in a storybook, atop a horse, wearing a didashah and pointing a long arm.
For a long time, rich countries have promised to reduce poverty but have failed to match their words with adequate action. Of course, some important progress has been made and millions of lives have been saved, but millions more could be saved.
Had Rumsfeld said at any time 'get me a report on what's going on', he could have had it. You're right, it depends on choices that we make, which parts of the world we want to be in immediate contact with.
Spirit of place! It is for this we travel, to surprise its subtlety; and where it is a strong and dominant angel, that place, seen once, abides entire in the memory with all its own accidents, its habits, its breath, its name.
All of my friends are animal people. To me, cats are people, too. Animals are people, too. I travel a lot and when I go overseas, it's really hard on me because the animals are treated much differently, especially in developing countries.
With every inch of land on Earth now catalogued by our satellites, the stars are the next place we as a species must travel. And with a booming world population that will hit 9.1 billion in 2050, large-scale space travel may become a necessity.
Point-to-point transit via low orbit could dramatically speed up international flights, connecting the world even further. And safe, consistent space travel opens up the possibility of commercial space stations, trips to the moon and exploration beyo...
An egg is a beautiful, sophisticated thing that can create even more sophisticated things, such as chickens. And we know in our heart of hearts that the universe does not travel from mush to complexity. In fact, this gut instinct is reflected in one ...
It would be nice to travel if you knew where you were going and where you would live at the end or do we ever know, do we ever live where we live, we're always in other places, lost, like sheep.
When I travel round the country, people can't place my accent; if there's someone in the audience, they'll be like, 'You're from Philadelphia', but everyone else will say, 'Where are you from, California?' I get England sometimes - bizarre!
Could I say that the reason that I am here today, you know, from the mouth of the State Department itself, is: I should not be allowed to travel because I have struggled for years for the independence of the colonial peoples of Africa.
I really enjoy what I do, and who I'm with and where I am. Having said that, I'm not really a person of habit, because what I do in my job is travel around the world and play concerts to people, and occasionally do very weird things.
Painting keeps me occupied in those moments when travel can be aimless and even disorienting. Mainly it is a way to register at least some of the new impressions of a foreign place, when its thrilling barrage can sometimes overwhelm you.
