With that radio I was always swimming with the current political streams in the West. I was never stranded.
In '48 when I left Metro, I tried to go back to radio, but somehow just didn't do well at it.
But I also think it's up to the fan base to call in the radio stations and demand that the more mature artists be played as well.
If you operate a TV or radio station, you have to have a license. It has nothing to do with fundamental freedom. It has to do with protection of the average citizen against abuses.
I think I thought it would be important for electronics as we knew it then, but that was a much simpler business and electronics was mostly radio and television and the first computers.
A nonfiction author has to bring a platform with him - radio, a TV show or some kind of recognizable vehicle to help launch them. And the agent is really necessary to represent all of the business interests of the author.
I love Nashville. It's such a great town, and I'm a huge country music fan. That's what I listen to on the radio in the car.
My dad being a DJ, I heard all the hits, no matter what. My mom always had on the radio because my dad was on it.
When you have a song on the radio your career and your life changes maybe for the better and maybe for the not so good... depending on how it's going that day.
What sounds good on the radio is really loud kick drums and loud snare drums, when everything's bombastic and in your face. It's the equivalent of a houseguest who screams all the time.
Life is too full of distractions nowadays. When I was a kid we had a little Emerson radio and that was it. We were more dedicated. We didn't have a choice.
I would love to expose multiple younger generations to Frank's music. It's not an easy task because It's not ever going to be plastered all over the radio for the masses.
I still love physical product. I still hold out for actual CDs, because in radio, everyone just wants to send you a file to play.
I'm still proud of what I've done, even if it hasn't been the biggest song on the radio or hasn't gone to number one.
I listen to Radio 4 and put the iPod on shuffle. I like the randomness of, say, the Stones, then something from Nina Simone, Nick Drake or Bob Dylan.
There is a feeling, when you listen to radio, that it's one person, and they're talking to you, and you really feel their presence as one person.
Most conservative and progressive talk radio is primarily just that - bloviated opinion and whacky viewer calls.
I would recommend that anyone who wants to do comedy on TV to do radio first.
As far am I'm concerned, I don't listen to radio anymore. They play the same ten songs over and over again, so why would I?
The radios are going to dictate. That's another fight. That's another story there. I wish they just let it be.
Frank Booth: I can hear your fucking radio you stupid shit!
