Radio DJ: This is WZAZ in Chicago, where disco lives forever... [the airplane zooms overhead the building, knocking the radio antenna down, and the signal goes dead]
I am the man who comes and goes between the bar and the telephone booth. Or, rather:that man is called 'I' and you know nothing else about him, just as this station is called only 'station' and beyond it there exists nothing except the unanswered sig...
There are two choices: to be human, made in the image of God, with Jesus; warp to be in human, consumed with greed and on aware of the pain that is inflicted upon others. Put in simple options, it is to be human and forgive, make peace in spite of al...
It takes practice to stand with others facing pain of death, and it helps if you don't have to do it all alone. We should practice on the small stuff so that we will be better able to stand together for what we believe and for what we love, who may s...
Throughout history the cross stands as a symbol of protest and revolt; protest against all claims, whether by religious or political power, to absolute unquestioning control over human minds and bodies; revolt against all systems and ideologies, all ...
Jesus is dangerous to society, to the status quo, and to contemporary piety. This clarity of preaching cannot be allowed to continue. It is like a cold, a virus that infects all who suffer and who love under conditions that only worsen, in a world th...
Jesus from the moment he first appears in Galilee is a sign of contradiction, fomenting revolution through telling the truth about the state of the world, the reality of evil, and the eye of God, who judges in a different vein altogether than courts ...
Daniel first kisses his brother in a town where no-one knows them, a no-account place that's barely even a town, just some buildings clustered around the highway: a smoky bar, an empty motel, a convenience store that only sells candy and condoms and ...
Joe Oramas: Hey listen, if you guys do something later, can I join you? Finbar McBride: We're not gonna do something. Joe Oramas: No, I know, but if you do, can I join you? Finbar McBride: We're not gonna do something later. Joe Oramas: Okay, but, if...
Finbar McBride: You said you weren't going to talk to me if I sat here, Joe. Joe Oramas: I haven't said anything in like twenty minutes. [Fin checks his pocket watch] Finbar McBride: Nine. Joe Oramas: You timed me? Finbar McBride: Mm-hmm. Joe Oramas:...
Station Attendant: Took the header plugs off, eh? Expectin' some action? John Milner: Yeah, I think so. There's some punk lookin' for me. Station Attendant: Why the hell do they bother? You've been number one as long as I can remember. John Milner: Y...
I worked at a PBS station called WQED in Pittsburgh.
Carla Jean's Mother: And I always seen this is what it would come to. Three years ago I pre-visioned it. Carla Jean Moss: It ain't even three years we been married. Carla Jean's Mother: Three years ago I said them very words. No and Good. Cabbie at B...
Pete Perkins: Thank you! Old Man with Radio: I need to ask you a favor. Pete Perkins: Anything you want. Old Man with Radio: I need you to go ahead and shoot me. My son, he ain't coming back. Pete Perkins: Oh, he'll come back. Old Man with Radio: He ...
Col. Robert Stout: Could you get a message down to XXXth Corps on that dingus? Radio Operator: Yes, sir. Uh, we just got word from the 82nd up ahead. They captured the Graves bridge completely intact! Col. Robert Stout: Aw, that's terrrific. Except X...
When I say I don't have to write pop songs anymore, there's no way I'm going to get on the radio at 60 years of age unless I'm doing a duet with Gaga or I was on 'All of the Lights,' which was a Kanye West record that managed to get on the radio.
Well over fifty years ago I was making radio loudspeakers and radio sets in Rochester, New York; pretty young and inexperienced; but we survived the depression.
With the coming of radio as a mass medium, suddenly the world changed. It became about, 'Can this leader project emotional connection through the way he speaks on the radio?' And the anxiety about whether he could do that, we've inherited.
I used my mother's radio as a PA system. I'd take the telephone, the speaking part, and take those two leads off and lead them into the radio and the sound would come out of the speaker.
My family were symphonic musicians and in the opera. Also, it was my era, the love of radio. We used to listen to the radio at night, close our eyes and see movies far more beautiful than you can photograph.
I booked my first studio at like 12 or 13. Somewhere in that season of my life, singing along with the radio became me wanting to be on radio, you know. And writing Langston Hughes replica poems became me wanting to write like Stevie Wonder.
